Search results for: “dan harden”

  • Happy New Year of the Rat 2020 from the Aikido Sangenkai

    Happy New Year of the Rat 2020 from the Aikido Sangenkai

    Thank you all for your help and support over the last year. We enjoyed training with all of you in 2019, and we’re looking forward to even more great training with you all in the coming year!

    Sangenkai Hawaii

    December 2019 Sangenkai Hawaii Intensive Workshop
    hosted by Aiki Kai O Kona

    The capstone to another year of training in Hawaii, in December 2019 the Sangenkai Hawaii intensive workshop once again attracted attendees from all over the world, with a large group Australia Sangenkai members as well as mainland, local and neighbor island Sangenkai members – continuing the tradition as the only workshops in Hawaii that command a regular international attendance.

    And now I’d like to finish with some thoughts for the coming year in this statement published at the end of 2018 by Dan Harden, discussing Aiki, Shugyo, and his continuing relationship with Roy Goldberg Sensei, one of the highest ranking Daito-ryu instructors in the world:

    Most people now know that Roy Goldberg and I resumed our training many years ago after a few years off.

    We were training at my house all day today and realized this was our 28th year anniversary of knowing each other and training together. While we each took a different turn in our training under Kiyama shihan; Roy remained, pursuing aiki in kata traveling with Kiyama to Japan, staying at Kiyama’s home. We also trained privately with Kiyama in Roy’s home, year after year, with Roy eventually becoming Kiyama’s highest ranked student—indeed becoming one of the highest ranked Western practitioners in the world: receiving Kyoju Dairi and being awarded 7th Dan and the third scroll.

    I remained, (perhaps true to my nature) in pursuit of the same aiki body, in MMA, Judo and grappling and tried to develop aiki-in freestyle and at speed. What a delight it was to come together again and discover where we each had gone and then continue blazing our trail together. Two friends in Shugyo.

    What a surprise when Roy showed up with a gift. He had commissioned two rings to be made by a world renowned jeweler. They are hand carved figures of Fudo Myo-o. The very definition of his name expressing our mutual pursuit: “Esoteric training to achieve immovability.”

    Without my knowledge Roy had offered—rooms full of people—his opinion of my direction, and a written a forward to my upcoming book. I had done the same about him both in public and on a private Daito Ryu website.

    So today we thought we would celebrate our venture with the rings and our sharing our opinions about our two paths.

    This was my opinion of Roy expressed to some rather frustrated students of Daito Ryu wondering why they never “got it.”:

    It’s my understanding that quite a bit isn’t shown to ni-dans and san-dans and such.

    There is quite a bit that comes later…if at all. I know you all practiced for years. Everyone practices, but not everyone is chosen. I don’t know why you weren’t shown, but stating what Aiki is or isn’t, by your personal experience as defining the entire art, is simply not a good plan.

    We have spent years reading on many forums and in countless interviews done with Stan Pranin where Japanese Daito Ryu shihan openly stated that they did not teach the majority of their own students. Instead, they picked one or two “so that the secrets wouldn’t flow out of the school.” (more on that later).

    For that reason any of you making statements that “I don’t think this or that is in the art, because I wasn’t shown it and haven’t seen it.” Is rather ridiculous at face value and can have serious logic flaws.

    For starters it can be seen and can be mimicked without actually getting it.

    Teaching?

    Remember Takeda and Tokimune saying repeatedly that “they showed different things to different people in different places?”

    What do you think you get when you ask those people what they think the art….is?

    Remember Tokimune and Sagawa admitting that they never taught their ENTIRE school the true art?

    Weird huh? Imagine being an insider, being the secretary or president of Tokimune’s organization and finding out thirty years later he was actually only teaching Kondo… Who many considered AN OUTSIDER??? That wasn’t even a regular member of the dojo. That really happened.

    I think you need to consider who else might have done that.

    Teaching inconsistencies:

    Sagawa taught a lot about solo training, and breath work, then claimed he didn’t!!

    Kodo practiced Aiki-in-yo-ho breath work and solo training.

    So did the Inoue
    So did Takuma Hisa
    So did Okabayashi. 
    So did Tokimune
    So does Goldberg
    So do I

    Much of which, Daito ryu People on forums have claimed didn’t even exist.

    We need to finally accept that there are levels of teaching in Daito Ryu not available to all.

    There was in the end, a benefit to becoming Kyoju Dairi,

    In Goldberg’s case, we sat at countless dinner tables, and on mats all over New England hearing Kiyama state over and over that Goldberg is his number one student. Indeed when Goldberg received the third scroll, Kiyama openly stated that “Roy had single handedly changed his mind. That now he could see westerners were capable of true shugyo.” This, while expressing dismay, that most of his students never really pursued the same path. Roy, and Danny Kiyama discussed much of this recently.

    I was proud of seeing what my friend had accomplished after all these years. I was also surprised to hear of Kiyama’s decision to put in the paperwork for Roy’s Shihan, and Roy, summarily leaving Japan.

    When I asked him why one night at one of our favorite watering holes. He told me: “Our philosophies were different. I felt it was necessary to spread this art to *real* Shugyo people. I have seen, first hand on many trips to Japan, the Kodokai shrinking, both in Japan and the United States and this once magnificent art could die. And all my teachers efforts could be in vain. As so many teachers have said “only teach one or two….so that the secrets wouldn’t flow out of the school.” I think times have changed and we need to teach, or this art will continue to fade.
    Interestingly, Roy had recently received a letter from one of the leading Kodokai Shihans in Japan, supporting his efforts and decision. Stating: “I watched you and found your skills quite impressive. I support and am anticipating your future activities.”

    Roy’s forward:

    Dan is one of the best Martial Artists I have ever encountered. And I know that not just from a couple of seminars but some 28 years of training together in Daito Ryu. With his obsession to Shugyo, he has brought the combat part of Daito Ryu alive again. His internal power and aiki is pulled from another era. His approach reflects people like Sagawa and Takeda who took on any challenger

    I have been fortunate enough to work with some of the leading martial artists in Aikido, Tai Chi Karate, Judo and classical jujutsu and Daito Ryu, none was able to create such soft power. Call it internal power or aiki or however you want to analyze it, he’s got it.

    Being a Physical Therapist for 45 years, I have tried to understand many of the aspects of Daito Ryu and realized it never helped me on the mat. Kiyama Shihan would always say “Goldberg! It’s in the Shugyo! Computer never understand! Do Shugyo. You decide.”

    Many people may say “Well Dan is a just a big guy, that’s why he hits with such power.” But, these are only people who have never touched him. What he does is both powerful and soft and a true expression of Aiki, at speed, force on force, in a way I’ve never seen. I have also had the privilege of watching Dan tossing Shihan across the room with little effort. Many of these Shihan, are presently training with Dan. We must applaud Dan Harden Sensei for the depths he went to, to find this.”

    On this anniversary we wanted to recognize the different paths we took, and help those who were unaware we were training together privately. And now for the first time to openly share our research in Aiki-in-yo-ho, the creation of the aiki body, the one true power in Daito Ryu. And also acknowledge each others work, the future of the art and share our plans to work together in the future.

    So many talk…..

    We are continuing to spread the essence of this magnificent art in both the United States and internationally, to those like us… In pursuit of true shugyo.

  • Interview with Chris Li about “Internal Power” training in Martial Arts

    Interview with Chris Li about “Internal Power” training in Martial Arts

    Below is an interview that originally appeared on Nick Porter’s The Way You Practice blog. Following the English interview is a translation in Spanish by Juantxo Ruiz.


    Hey folks! What follows below is an interview with Chris Li, a martial artist who has primarily trained in Aikido. He’s a great resource within the Aikido community regarding the history of the art and a very approachable guy. He also trains in “internal power”, which is something that never made sense to me, even when I trained Aikido. At best, it seemed like an overly complicated explanation of biomechanics. At worst, it looks like straight up woo-woo.

    So rather than continue to flame online, I decided to ask someone in the know, and Chris was gracious enough to take some time and attempt to explain it to me. Perhaps I’m just a bad interviewer, but I’m still not sure I get it. What do you all think? Is there something to Internal Power training? Is it useful for martial artists?


    Chris Li

    Chris Li (CL) has been training in Aikido since 1981, and has also trained in Judo with a former coach of the Japanese and US Olympic teams and in Shito-ryu Karate, as well as several lineages of Daito-ryu Aiki-jujutsu. He spent some 15 years living, training, and teaching in Japan. He has been training with Dan Harden, in his Sangenkai organization, since 2010.


    Nick Porter (NP): Thanks for taking the time to talk to me about this. I’ve always been fascinated with the idea of “internal power” but the actual practice vs preach seemed a difficult sell to me. To start, so that we’re on the same page can you define what you mean when you say “Internal Power?”

    CL: Sam Chin once said to me “the thing about internal power is that… it’s power. ” And he’s right, the division between internal and external methods is a largely artificial way of classifying generally different methods of body usage. But they’re all power, they all involve the mind, the body and all the rest. On the other hand, playing the violin and power lifting are also both purely physical tasks that involve the same body and the same musculature but end up in very different places, so there are things that can be very different and yet involve some or all of the same elements. All sports use both strength and endurance, but of course we often divide physical conditioning into areas such as endurance exercises and strength building as a matter of convenience. So the internal / external dichotomy is artificial, of course, but it’s also convenient. 

    When I talk about internal methods I am talking about methods that, generally speaking are referring what is happening within the frame of my own body (rather than, say, a technique that is defined by what happens relative to another person’s body). Further, the methods I’m talking about are largely intent driven. Of course, everything’s intent driven, but the emphasis on intent in internal methods is often that you’re attempting to use or condition your musculature in a way that is generally different from the that you normally use it. 

    NP: Do you feel there’s a disconnect between the way Internal Power is explained (vs, say, the mechanics of tai chi or yoga) and the way it’s practiced such that more people don’t see a reason to begin training it?

    CL: The descriptions are often difficult because they don’t make much sense without hands on. So yes, that can be a problem. IMO, it’s one of those things that has to be felt. People who join us and end up staying usually do so because we’re doing what they were looking for in the first place. In other words, they’d done the research on their own and had an idea of what to expect. But it may be that the difficulty of this type of training precludes, in part, an easily understood short description. Further, there’s no common frame of reference with most folks the way there is if I were talking about, say, baseball. 

    NP: I actually had a great discussion with some IP folks yesterday about that– how “it had to be felt” and “it just can’t be understood” are tough sells in the modern world. Is there a way you think IP could make itself more understandable?

    Additionally, my other question for them (and now for you) is: how do you sort out someone who knows what they’re doing from a woowoo artist? All I’ve heard is

    1. A real IP master is exceedingly, overwhelmingly rare
    2. definitely know one, though.

    So in a system that’s very subjective (“you just have to feel it”), how can you know what you’re feeling is actual “power” instead of the power of suggestion?

    CL: If you can think of a way to make it more understandable then I’m open to suggestions! I suppose that we really need an “elevator speech”, but part of the difficulty is that these things really are quite different. And that brings in the frame of reference problem that I mentioned above. 

    How do you tell? Well, that’s difficult too. 

    Experience with multiple folks certainly helps, so does intellectual honesty. In the end, I guess that you have to make your best judgement and take your chances.

    Traditionally, I guess that you’d challenge an instructor and see what happens, but those kinds of things don’t always turn out well…

    I’d also have to say that defeating or not defeating a particular person doesn’t necessarily say much about the method or theory. Everybody wins and loses when you roll.

    NP: I think IP could take a few things from yoga. The way I see it, movement is movement and at its core, efficient movement is simple movement. This video of Kyuzo Mifune illustrates that point. I understand that his partners are giving him some respect. Even with that in mind, and with the understanding that I know nothing about Judo, I can understand and respect how he’s moving because how he’s moving seems logical, simple, and efficient. I contrast that with a lot of the  IP videos I watch: where an uke grabs for their life, gets twisted around, then gets chucked across the room as everyone looks on in amazement. At its best, it seems like suggestion and a very compliant partner. At its worst, it starts looking like the no-touch KO people.

    The thing I hate about the “it has to be felt” argument is that it’s self-fulfilling and, too often, the uke is blamed for anything that goes wrong (“You just have to relax more”, etc). You discussed the method and the theory. What, exactly, is that method/theory? What do you feel “Internal Power” offer specifically that other forms of martial arts/body organization do not? If its primary benefit is efficient movement, can’t you refine efficient movement through other means? If the goal is to increase martial efficacy, why, frankly, are a lot of the IP guys lousy fighters?

    CL: There are a bunch of big issues in that question, but I’ll try to break out a few. 

    Efficient movement is one of those things that sounds good, but doesn’t really mean that much. Kyuzo Mifune was very efficient, but so was Mike Tyson – and they moved very differently and had different types of bodies. It’s a little like saying “delicious food”, what that means varies.  Of course there are many ways to develop efficient movement, and there are many ways to become an efficient fighter. A particular method may be better or worse for a given situation, but no method is really better or worse in and of itself. 

    IP won’t make you a fighter, any more than strength training will. But most coaches would recommend that you do some kind of strength training because it will help you to be a better fighter – and most people doing strength training are probably pretty poor fighters. They’re different, but often complementary, activities. IP training can help you to organize your body to generate power, sometimes a lot of power, in a very efficient manner that has a lot of longevity. But it does take a while and not everybody will be interested in it. Are there other ways? Sure there are. 

    IP methods aren’t monolithic, so talking about theory is going to vary – but in addition what I mentioned above I would add that most internal arts are trying to develop whole body power that rely more on movement within the frame of one’s body than the momentum of the weight of that frame moving forward as a whole, and this usually involves some degree of “softness” in order to facilitate the maximum usage of the body frame. 

    A lot of demonstrations are bad, that’s true. Similar things happen in Aikido – you’re engaged in a cooperative training method to learn a certain skill, and like all rulesets folks learn how to game that ruleset in order to look “good” while forgetting that the ruleset, especially in uke-nage based training methods, is completely artificial. That doesn’t mean that it’s a poor training method, just there are pitfalls. 

    The “it has to be felt” thing is all about that common frame of reference from above. I’m not sure what you mean by blaming uke in this case – it’s just about feeling it for yourself. 

    NP: Starting from the top: It’s true that Mifune and Tyson both moved efficiently while moving very differently, but the difference between that and what I see with a lot of IP people is that the fruits of an athlete’s labors are a bit more obvious– the person gets thrown or hit when they don’t want to be.  I guess I also don’t understand the semantic differences between how an IP person would move and how Mifune or Tyson would move. As I understand it, even for different ends, efficient movement is efficient movement. A judoka and a violin player are both using gross and fine motor movements– the difference is that a boxer or violin player or yoga instructor can explain, generally in very simple terms, how they are doing what they are doing. IP people have, in my experience, a very complex vernacular that seems to shut off any understanding of the movements until you’ve already invested.  

    The “It has to be felt” line gets me because, I can look at any athlete, in any discipline (be it ballet or boxing) and while I can’t replicate their movements, I can understand that they are moving efficiently and correctly just by watching them. I don’t necessarily see that in IP demonstrations, where someone wiggles a hip and their partner flies across the room. That’s where you get people comparing IP people to the no-touch people– a fundamental disconnect between what is normally needed to move another person that way (kuzushi, etc) and what they see in the IP demonstration (none of that). What are they missing?

    Regarding fighting: I appreciate your saying that IP won’t make you a fighter, but could you pass that along to the rest of the IP community? There seems to be a disconnect– where on the one hand, IP is touted by some as a health/wellness exercise and on the other hand you see people in martial arts uniforms looking incredulously at their IP master as he/she manipulates someone’s balance or throws them or whatever, and these students then swear that their instructor is “too deadly for the ring” or whatever other cliche you want to use. 

    Is there an intersection at any point between IP and fighting? If so, why isn’t there a better track record for IP people fighting? If not, do you feel the community would be better served by disconnecting from the idea that fighting skill is a goal/sequela of these exercises? Furthermore (and I know I’ve posed a lot of questions here), how would you, as an IP practitioner yourself, convince someone who’s only done internal training that maybe they are NOT as fearsome a fighter as they may believe themselves to be? 

    CL: A lot of people would call Mifune an IP person, I’m not sure that I would. In any case, yes, it’s hard to see – that’s a large part of why getting direct hands on is usually more reliable. It’s also one factor among many. So two folks hitting may be using different methods of body organization with little visual distinction. But sorting the whole thing out can get complex. 

    The terms seem to be complex because of that lack of a common frame of reference that I mentioned above, and because folks are trying to describe things that are happening inside the body – I’ve seen some biomechanical descriptions of golf from the internal body structures that are equally opaque to me. Like anything else, once you get some experience with it those things get easier. 

    Yes, you can describe a lot of what is happening in biomechanical terms (and we do), but part of the difficulty is that knowing the exact biomechanics doesn’t really help that much in execution. For those things, imagery and visualization – intent based approaches work better. That’s the classical method, and actually visualization and imagery is now commonly used among professional athletes. If I ask you to wiggle your ears, which is a purely physical task, describing the exact biomechanics involved is unlikely to actually help you wiggle your ears. But visualization and imagery can often help you access those actions where intellectual description runs into difficulties. 

    Chris Davis at Martial Body actually has quite a good collection of clear material and explanations, FWIW: https://www.martialbody.com/

    For the IP community – there isn’t one, really. There are a lot of folks doing a lot of things, some of them questionable, with no general agreement of who’s even in the community. It’s a lot like the Aikido world. 

    For fighters, if we’re talking about modern sports fighters, I don’t think that IP has a quick enough return on investment, generally speaking. Mike Tyson went from zero to Olympic gold in three or four years, retooling your body usage just takes too long to compete with that. Even if you invest the time it’s as I said, one factor among many in fighting. Does long distance running make you a better fighter? Probably, but that doesn’t mean that long distance runners are fighters. When you’re talking about IP as a stand alone, it’s just that – a kind of conditioning and body usage. If you’re talking about it as attached to one tactical martial system or another then you have a lot of other factors in play as well. 

    NP: Tyson never made it to the Olympics but I think I understand what you mean.

    I won’t keep you much longer, so in closing: what do you think people outside of IP fundamentally misunderstand about it? What do you think people inside of IP fundamentally misunderstand about it? If you had to make that “elevator pitch” to try and convince IP skeptics that what you’re doing has value beyond a basic conditioning workout, what would you tell them?

    CL: As I said earlier, it’s a method of conditioning and usage. That usage can be very useful in martial applications – but that’s best experienced hands on, and that’s basically what I tell folks.  Most of all, it’s interesting, much more interesting than your basic conventional physical training, at least to me. 

    People outside of IP may tend to think that it’s woo woo – but it isn’t, it’s entirely physical and logical (it has to be, really). People inside – well these things are hardly monolithic, but perhaps it’s true that they overestimate how much weight those skills get them in a fight when they may lack other skills or experiences. 

    NP: Being interesting (and something you’d come back to consistently) is generally what keeps people training more than anything else. Thanks for taking the time to talk to me. 


    Entrevista con Chris Li sobre el entrenamiento de “poder interno” en artes marciales

    18 DE JULIO DE 2019 ~ NICK PORTER

    ¡Hey gente! Lo que sigue a continuación es una entrevista con Chris Li, un artista marcial que se ha entrenado principalmente en Aikido. Es un gran divulgador dentro de la comunidad de Aikido con respecto a la historia del arte y un tipo muy accesible. También entrena en “poder interno”, que es algo que nunca tuvo sentido para mí, incluso cuando entrenaba Aikido. En el mejor de los casos, parecía una explicación demasiado complicada de la biomecánica. En el peor de los casos, se ve como charlatanería .

    Entonces, en lugar de seguir en línea, decidí preguntarle a alguien que lo supiera, y Chris tuvo la gentileza de tomarse un tiempo e intentar explicármelo. Quizás solo soy un mal entrevistador, pero todavía no estoy seguro de haberlo entendido. ¿Qué piensan todos ustedes? ¿Hay algo en el entrenamiento de energía interna? ¿Es útil para artistas marciales?


    meyer-goo-chris-li-me

    Chris Li (CL) ha estado entrenando en Aikido desde 1981, y también ha entrenado en Judo con un ex entrenador de los equipos olímpicos japonés y estadounidense y en Karate Shito-ryu, así como varios linajes de Daito-ryu Aiki-jujutsu. Pasó unos 15 años viviendo, entrenando y enseñando en Japón. Ha estado entrenando con Dan Harden, en su organización Sangenkai, desde 2010.


    Nick Porter (NP): Gracias por tomarse el tiempo de hablarme sobre esto. Siempre me ha fascinado la idea del “poder interno”, pero la práctica real frente al discurso me pareció algo difícil de vender. Para comenzar, para que estemos en la misma línea, ¿puedes definir a qué te refieres cuando dices “Energía interna”?

    CL: Sam Chin me dijo una vez “lo que pasa con el poder interno es que … es poder. “Y tiene razón, la división entre métodos internos y externos es una forma en gran medida artificial de clasificar métodos generalmente diferentes de uso del cuerpo. Pero todos son poder, todos involucran la mente, el cuerpo y todo lo demás. Por otro lado, tocar el violin y el levantamiento de pesas también son tareas puramente físicas que involucran el mismo cuerpo y la misma musculatura, pero terminan en lugares muy diferentes, por lo que hay cosas que pueden ser muy diferentes y, sin embargo, involucrar los mismos elementos o solo a algunos de ellos. Todos los deportes utilizan tanto la fuerza como la resistencia, pero, por supuesto, a menudo dividimos el acondicionamiento físico en áreas tales como ejercicios de resistencia y desarrollo de la fuerza por pura conveniencia. Entonces, la dicotomía interno/externo es artificial, por supuesto, pero también es conveniente.

    Cuando hablo de métodos internos, estoy hablando de métodos que, en general, se refieren a lo que sucede dentro del marco de mi propio cuerpo (en lugar de, por ejemplo, una técnica que se define por lo que sucede en relación con el cuerpo de otra persona). Además, los métodos de los que hablo se basan principalmente en la intención. Por supuesto, todo se basa en la intención, pero el énfasis en la intención en los métodos internos es lo que a menudo está intentando usar o condicionar tu musculatura de una manera que generalmente es diferente de la que normalmente usa.

    NP: ¿Sientes que hay una desconexión entre la forma en que se explica el Poder Interno (vs, por ejemplo, la mecánica del tai chi o el yoga) y la forma en que se practica de tal manera que no haya más personas que vean una razón para comenzar a entrenarlo?

    CL: Las descripciones son a menudo difíciles porque no tienen mucho sentido sin experimentarlo antes. Entonces sí, eso puede ser un problema. En mi opinión, es algo que hay que sentir. Las personas que se unen a nosotros y terminan quedándose generalmente lo hacen porque estamos haciendo lo que estaban buscando en primer lugar. En otras palabras, habían realizado la investigación por su cuenta y tenían una idea de qué esperar. Pero puede ser que la dificultad de este tipo de entrenamiento excluya, en parte, una breve descripción fácil de entender. Además, no hay un marco de referencia común con la mayoría de la gente como si se estuviera hablando, por ejemplo, de béisbol.

    NP: Ayer tuve una gran discusión con algunas personas que trabajan Poder Interno, sobre cómo “tenía que sentirse” y sobre qué es algo que “simplemente no se puede entender”, que son argumentos difíciles de vender en el mundo moderno. ¿Hay alguna forma en que creas que el Poder Interno podría hacerse más comprensible?

    Además, mi otra pregunta para ellos (y ahora para usted) es: ¿cómo diferenciar a alguien que sabe lo que está haciendo de una superchería de artista (marcial)? Todo lo que he escuchado es:
    Un verdadero maestro de poder Interno es extremadamente raro.
    Sin embargo, definitivamente conozco uno.

    Entonces, en un sistema que es muy subjetivo (“solo tienes que sentirlo”), ¿cómo puedes saber que lo que sientes es el “poder” real en lugar del poder de sugestión?

    CL: Si puedes pensar en una forma de hacerlo más comprensible, ¡estoy abierto a sugerencias! Supongo que realmente necesitamos un “discurso de ascensor”, pero parte de la dificultad es que estas cosas realmente son bastante diferentes. Y eso trae el problema del marco de referencia que mencioné anteriormente.
    Como lo dices Bueno, eso también es difícil.

    La experiencia con múltiples personas ciertamente ayuda, al igual que la honestidad intelectual. Al final, supongo que debes formarte una opinión y arriesgarte.

    Tradicionalmente, supongo que desafiarás a un instructor y verás qué sucede, pero ese tipo de cosas no siempre salen bien …

    También debería decir que derrotar o no derrotar a una persona en particular no necesariamente dice mucho sobre el método o la teoría. Todos ganan y pierden cuando ruedas.

    NP: Creo que el Poder Interno podría tomar algunas cosas del yoga. A mi modo de ver, el movimiento es movimiento y, en esencia, el movimiento eficiente es simple movimiento. Este video de Kyuzo Mifune ilustra ese punto (nota, se refiere, creo a un vídeo muy conocido de Mizune sensei, uno de los grandes históricos del Judo, demostrando técnicas con alumnos suyos de alto nivel). Entiendo que sus Ike’s le están dando un poco de respeto. Incluso con eso en mente, y con el entendimiento de que no sé nada sobre el Judo, puedo entender y respetar cómo se está moviendo porque cómo se está moviendo parece lógico, simple y eficiente. Comparo eso con muchos de los videos de Poder Interno que veo: donde un uke agarra como si su vida dependiera de ello, se da la vuelta y luego es arrojado a través de la habitación mientras todos miran con asombro. En el mejor de los casos, parece sugestión y un uke muy obediente. En el peor de los casos, comienza a parecerse a las personas KO sin contacto.

    Lo que odio del argumento de “tiene que sentirse” es que se cumple por sí mismo y, con demasiada frecuencia, se culpa al uke de cualquier cosa que salga mal (“Solo tienes que relajarte más”, etc.). Hablaste a propósito del método y la teoría. ¿Qué es exactamente ese método / teoría? ¿Qué crees que ofrece el “Poder interno” específicamente que otras formas de artes marciales / organización del cuerpo no ofrecen? Si su principal beneficio es el movimiento eficiente, ¿no puede refinar el movimiento eficiente por otros medios? Si el objetivo es aumentar la eficacia marcial, ¿por qué, francamente, muchos de los tipos de Poder Interno son pésimos luchadores?

    CL: Hay un montón de grandes problemas en esa pregunta, pero intentaré aclarar algunos.

    El movimiento eficiente es una de esas cosas que suena bien, pero en realidad no significa mucho. Kyuzo Mifune fue muy eficiente, pero también lo fue Mike Tyson, y se movían de manera muy diferente y tenían diferentes tipos de cuerpos. Es un poco como hablar de “comida deliciosa”: lo que eso significa varía. Por supuesto, hay muchas maneras de desarrollar movimientos eficientes, y hay muchas maneras de convertirse en un luchador eficiente. Un método particular puede ser mejor o peor para una situación dada, pero ningún método es realmente mejor o peor en sí mismo.

    El Pode Interno no te convertirá en un luchador, como tampoco lo hará el entrenamiento de fuerza. Pero la mayoría de los entrenadores recomendaría que realices algún tipo de entrenamiento de fuerza porque te ayudará a ser un mejor luchador, y la mayoría de las personas que hacen entrenamiento de fuerza son probablemente luchadores bastante pobres. Son actividades diferentes, pero a menudo complementarias. El entrenamiento de PI puede ayudarte a organizar tu cuerpo para generar energía, a veces mucha energía, de una manera muy eficiente que tiene mucha longevidad (¿?). Pero lleva un tiempo y no todos estarán interesados en ello. ¿Hay otras formas? Claro que los hay.

    Los métodos de Poder Interno no son monolíticos, por lo que si hablamos de teoría el asunto variará, pero además de lo que mencioné anteriormente, agregaría que la mayoría de las artes internas tratan de desarrollar el poder de todo el cuerpo que es algo que se basa más en el movimiento dentro del marco del cuerpo que el ímpetu del peso de ese marco que avanza en su conjunto, y esto generalmente implica cierto grado de “suavidad” para facilitar el uso máximo del marco del cuerpo.

    Demasiadas demostraciones (exhibiciones) son malas, eso es cierto. Suceden cosas similares en el Aikido: participa en un método de entrenamiento cooperativo para aprender una determinada habilidad y, como en todos los conjuntos de reglas, la gente aprende a jugar ese conjunto de reglas para verse “bien” mientras se olvida de que el conjunto de reglas, especialmente los métodos de entrenamiento basados en el trabajo uke-nage, es algo completamente artificial. Eso no significa que sea un método de entrenamiento deficiente, solo que existen dificultades.

    Lo de que “tiene que sentirse” tiene que ver con ese marco de referencia común desde arriba. No estoy seguro de lo que quieres decir con culpar a uke en este caso: se trata de sentirlo por ti mismo.

    NP: Comenzando desde arriba: es cierto que Mifune y Tyson se movian eficientemente haciéndolo de manera muy diferente, pero la diferencia entre eso y lo que veo con muchas personas con IPI es que los frutos del trabajo de un atleta son un poco más obvios: la persona es arrojada o golpeada cuando no quiere serlo. Supongo que tampoco entiendo las diferencias semánticas entre cómo se movería una persona PI y cómo se moverían Mifune o Tyson. Según tengo entendido, incluso para diferentes fines, el movimiento eficiente es un movimiento eficiente. Un judoka y un violinista utilizan movimientos motores gruesos y finos; la diferencia es que un boxeador, un violinista o un instructor de yoga pueden explicar, en términos muy simples, cómo están haciendo lo que están haciendo. La gente de PI tiene, en mi experiencia, una lengua vernácula muy compleja que parece impedir cualquier comprensión de los movimientos hasta que ya estás familiarizado en ellos.

    El argumento de “Tiene que sentirse” me atrapa porque, puedo mirar a cualquier atleta, en cualquier disciplina (ya sea ballet o boxeo) y aunque no puedo repetir sus movimientos, puedo entender que se mueven de manera eficiente y correcta con solo mirarlos. No necesariamente veo eso en las demostraciones de PI, donde alguien mueve la cadera y su compañero vuela por la habitación. Ahí es donde aparecen personas que comparan a las personas que trabajan PI con las personas sin contacto: una desconexión fundamental entre lo que normalmente se necesita para mover a otra persona de esa manera (kuzushi, etc.) y lo que ven en la demostración de PI (nada de eso). ¿Qué se están perdiendo?

    Con respecto a las peleas: agradezco que digas que el PI no te convertirá en un luchador, pero ¿podrías transmitirlo al resto de la comunidad de PI? Parece haber una desconexión, donde, por un lado, el PI es promocionada por algunos como un ejercicio de salud / bienestar y, por otro lado, se ve a personas con uniformes de artes marciales mirando con incredulidad a su maestro de PI mientras manipula el equilibrio de alguien o los tira o lo que sea, y estos estudiantes juran que su instructor es “demasiado mortal para el fin (para luchar en un cuadrilátero)” o cualquier otro cliché que desee usar.

    ¿Hay una intersección en algún punto entre IP y la lucha? Si es así, ¿por qué no hay un mejor historial de las personas que luchan con IP? Si no es así, ¿cree que la comunidad estaría mejor atendida al desconectarse de la idea de que la habilidad de lucha es un objetivo / secuela de estos ejercicios? Además (y sé que he planteado muchas preguntas aquí), ¿cómo podría usted, como profesional del Poder Interno, convencer a alguien que solo ha realizado un entrenamiento interno de que tal vez NO son un luchador tan temible como pueden creerse?

    CL: Mucha gente llamaría a Mifune una persona IP, no estoy seguro de que lo fuese. En cualquier caso, sí, es difícil de ver, esa es una gran parte de por qué el tener manos directas (nota : poner las manos directamente si te un profesor de PI) suele ser más confiable. También es un factor entre muchos. Entonces, dos personas que golpean pueden estar usando diferentes métodos de organización del cuerpo con poca distinción visual. Pero resolverlo todo puede volverse complejo.
    Los términos parecen ser complejos debido a la falta de un marco de referencia común, como ya mencioné anteriormente, y porque la gente está tratando de describir cosas que están sucediendo dentro del cuerpo. He visto algunas descripciones biomecánicas del golf desde las estructuras internas del cuerpo, que son igualmente opacos para mi. Como con cualquier otra cosa, una vez que tenga algo de experiencia con eso, las cosas se vuelven más fáciles.

    Sí, se puede describir mucho de lo que está sucediendo en términos biomecánicos (y lo hacemos), pero parte de la dificultad es que conocer la biomecánica exacta no ayuda mucho en la ejecución. Para esas cosas, las imágenes y la visualización, los enfoques basados en la intención funcionan mejor. Ese es el método clásico, y en realidad la visualización y las imágenes es algo que actualmente se usan comúnmente entre los atletas profesionales. Si le pido que mueva las orejas, que es una tarea puramente física, es poco probable que describir la biomecánica exacta involucrada realmente lo ayude a moverlas. Pero la visualización y las imágenes a menudo pueden ayudar a acceder a aquellas acciones donde la descripción intelectual se encuentra con dificultades.

    Chris Davis en Martial Body en realidad tiene una buena colección de material claro y explicaciones.

    En relación a la comunidad de PI: en realidad no hay solo una. Hay muchas personas que hacen muchas cosas, algunas de ellas cuestionables, sin un acuerdo general de quién está en la comunidad. Se parece mucho al mundo del Aikido.

    En relación con los luchadores, si hablamos de luchadores deportivos modernos, no creo que la propiedad intelectual tenga un retorno de la inversión lo suficientemente rápido, en general. Mike Tyson pasó de cero a oro olímpico en tres o cuatro años, reorganizar el uso de su cuerpo lleva demasiado tiempo para competir con eso. Incluso si inviertes el tiempo es como dije, un factor entre muchos en la lucha. ¿Correr largas distancias te hace un mejor luchador? Probablemente, pero eso no significa que los corredores de larga distancia sean luchadores. Cuando se habla de Poder Interno como algo independiente, es solo eso: un tipo de acondicionamiento y uso del cuerpo. Si estás hablando de eso como un sistema marcial táctico u otro, también tienes muchos otros factores en juego.

    NP: Tyson nunca llegó a los Juegos Olímpicos, pero creo que entiendo lo que quieres decir. No le voy a entretener mucho más tiempo, así que para concluir: ¿qué cree que las personas fuera del entorno del PoderInterno fundamentalmente malinterpretan? ¿Qué crees que las personas dentro de PI entienden fundamentalmente al respecto? Si tuviera que hacer ese “discurso de ascensor” para tratar de convencer a los escépticos de IP de que lo que está haciendo tiene un valor más allá de un entrenamiento de acondicionamiento básico, ¿qué les diría?

    CL: Como dije antes, es un método de acondicionamiento y práctica. Esa práctica puede ser muy útil en aplicaciones marciales, pero eso es lo mejor con experiencia, y eso es básicamente lo que le digo a la gente. Sobre todo, es interesante, mucho más interesante que tu entrenamiento físico convencional básico, al menos para mí.

    Las personas que no pertenecen al PI pueden tender a pensar que todo esto es charlatanería, pero no lo es, es completamente físico y lógico (tiene que serlo realmente). Gente de adentro: bueno, estas cosas no son monolíticas, pero tal vez sea cierto que sobreestiman cuánto peso les dan esas habilidades en una pelea cuando pueden carecer de otras habilidades o experiencias.

    NP: Ser interesante (y algo a lo que volverías constantemente) es generalmente lo que hace que la gente entrene más que cualquier otra cosa. Gracias por tomarte el tiempo de hablar conmigo.


    Published by: Christopher Li – Honolulu, Hawaii

  • Happy New Year of the Boar 2019 from the Aikido Sangenkai

    Happy New Year of the Boar 2019 from the Aikido Sangenkai

    Marishiten riding a boar
    Katsushika Hokusai
    the goddess Marishiten riding a boar

    — Hau’oli Makahiki Hou
     — Happy New Year
     — 明けましておめでとうございます
    …and much Aloha!

    Thank you all for your help and support over the last year. We enjoyed training with all of you in 2018, and we’re looking forward to even more great training with you all in the coming year!

    February 2018 Sangenkai Intensive Workshop in Hawaii

    In 2018 our Sangenkai intensive workshop attracted attendees from Japan, Korea, Malaysia, Singapore, Sweden, the mainland USA, Sweden and our local and neighbor island Sangenkai members as well as a large group of New Zealand and Australia Sangenkai members, continuing our tradition as the only Aikido group in Hawaii to hold workshops that command a regular international attendance.

    At the top of this page is the goddess Marishiten (摩利支天) pictured as a wrathful demon riding a boar (for 2019 🙂 ) . Marishiten is an esoteric Buddhist deity closely associated with the warrior tradition in Japan. Esoteric Buddhist practices were very popular in many Japanese warrior traditions – and for Sokaku Takeda and Morihei Ueshiba as well.

    Tokimune Takeda's private notes
    A section of Tokimune Takeda’s private notes
    on his father Sokaku’s teachings on the Kuji-kiri and
    esoteric Buddhist disciplines

    “If you don’t research the Kuji Kiri you won’t understand Aikido.”
    – Aikido Shihan Sadateru Arikawa

    Esoteric Buddhist references abound in Tokimune Takeda’s notes of his father Sokaku’s instruction – and no less in Morihei Ueshiba’s lectures, but before we go too far, I should mention that this is not about religion, strictly speaking, but about martial training – about a system of visualization and imagery that goes back through China to India and has deep roots in Asian martial systems because…it works, and works rather well. It works so well that modern athletes and Olympic champions now use imagery and visualization in their day-to-day training.

    Hiroshi Tada demonstrates the Kuij mudra Rin

    “When one looks at O-Sensei’s Doka and other writings they might think that they are related to Shinto, but they actually contain the teachings of Shingon esoteric Buddhism.”
    Aikido Shihan Hiroshi Tada

    Morihei Ueshiba using the Kuji mudra

    Another esoteric Buddhist deity that figures prominently in the warrior tradition is Fudo Myo-o, the “Immovable Wisdom” that represents an important principle of training in the Asian martial traditions, but is often badly misunderstood. Attached below is an essay by Dan Harden on the subject of Fudo Myo-o (originally posted on e-Budo, but edited for clarity as a stand-alone essay) – I hope that it will prove thought provoking and useful to your training in 2019. Happy New Year!

    The Narita-san Fudo, associated with
    Morihei Ueshiba’s teacher Sokaku Takeda
    by Utagawa Kunisada

    Fudo myo-o (Acala vidya) is a training paradigm that has lasted for millennia to create truly powerful skills. That it is being reduced to the lowest common denominator by modern martial artists, sport science, military personnel and cops is really no surprise. While we all agree on the mental aspect of training – more so in force-on-force or life threatening situations circumventing or at least dealing with an adrenaline dump aspect of training, to remain both calm and focused – the concept is far deeper than any of that.

    It was the connection of the mind to control the body that led to a higher level learning that has existed for millennia. Trying to equate and more so -reduce it to just being a lower level training of mental focus in combatives is just simply wrong.

    Okay, then…. mental focus under duress. Got it. Got anything else? Anything at all?
    No?
    Why?
    Most people simply haven’t a clue about anything else. No harm, no foul, But it is what it is. Some have some initial understanding of this type of training, but little actual skill in using it. Which bears out in their inability to demonstrate an enhanced mind/ body cultivation either in their arts or bodies. It’s either very, very hard or rather easy, to defend in person. It is interesting that the training models to produce immovability are still extant though not widely known, none of which I have seen incorporate the unshakable combative mindset idea. That..is different, rather they focus on the mind/body. One example is the hara or dantian: As one internal Chinese martial arts powerhouse who taught in Japan said. “Aiki? Where is yin? Where is Yang? How can there BE…aiki? You cannot pretend daintian, you will be found out!”

    While I have seen better movement from a few Japanese teachers, as of yet I have never met a single person in Aikido, Daito ryu or Koryu who HAS a center, much less sophisticated use of one. Thus discussion of moving “from one” becomes a total waste of time. It would take years from initial meetings to have them start to actually create and move FROM one, forget a meaningful dialogue.

    What remains is that there still exists people who know it and train this material. They are just exceedingly difficult to find and come in various knowledge and skill levels.

    What are they training?

    The immovable body as a concept.

    All of the trade names and acumen for this work have existed for generations and have managed to survive direct translations from culture to culture, with the same terminology and practices used from Tibet to India to China and Japan as well as to specific family Indonesian arts. One would first have to know the terminology, and the practices to understand why the common phrasing is a base line. Once that is done, we can see the uses of common terminology and models from Tibet to internal Chinese martial arts, to Japan; the founder of Shinto ryu and other Koryu to Daito ryu on to Ueshiba’s aikido. Himself using trademark terminology of six directions, the working of attraction point between yin and yang, Aiki being the working of the two ki’s as heaven/earth/man. Ages old material. From B.C.E. to 2019.

    Immovability… as a name?

    Here we have just another example with Acala Vidya to Fudo Myo-o.

    Acala vidya or Fudo Myo-o makes perfect sense – as it is written. “Esoteric training to achieve immovability.”

    It makes no sense what-so-ever to call a person, deity or statue….an “esoteric practice!”

    Why bring in vidya, as in prana vidya (esoteric training to work ki or chi), or Myo or Mikkyo?

    Why?

    Why mention a training when you were talking about a deity or person?

    Because you were not! You were talking about a training concept and methodology.

    The mention of a training, an esoteric one at that, is not an imagined state. Which in itself is nice little escape. What a convenient way to equalize all efforts.

    ”This is my fudo shin.”

    “MY…imagined state.”

    “You can’t challenge my imagined state….”

    Yet we can challenge an understanding of the real concepts. And why can we? For the simple reason that the thrust of this in the ancient world had teeth. It had a profound physical training model behind it that produced physical, real world results for what feels like immovability and power. Not just being strong willed against adversity.

    Another example for imagined versus real results are in simple but well known models;

    I do this with yogi’s in mountain pose. They can get knocked over with a finger rather easily. Then, I show them an example of “the esoteric training to achieve immovability” behind it and surprise of surprises in about 5 minutes flat…they feel? Well…sort of like a mountain.

    I wonder why they called it…. mountain pose?

    I leave them to choose. You can teach:

    Lift your heart chakra to the sun yoginis

    or

    Use it to be stable and feel strong….like a mountain.

    It is the same with downward dog and other postures.

    I dunno…maybe words have meaning. Maybe some ancient practices actually are defensible and others are just what they are…simply imagined states.

    Why Acala vidya? Why esoteric training that produces immovability? Uhm…because it did, and does and was tracked and trained and discussed and actually useful for real people not living in an imagined state. As stated, it simply makes a direct causal link that it was the training to achieve something profound in many warrior cultures that also had health benefits as well as power that gave name to the concept.

    Why was it not the norm?

    The oft told tale of training in the mountains, training in temples, warrior monks being unusually powerful, has existed for thousands of years. Mind/ body training has been consistently trained solo, many times in isolation and tested and practiced in small groups.

    • First and foremost it was for a mental control of the body to do unusual things that were powerful and out of the norm. That training created different outcomes in combatives that in and of themselves, were forces not normal for an opponent to face, or normal to react to.
    • As well, the adepts at it generated unusual effects to forces on them. So… OODA loops for the opponent? They went out the window.

    This was but a couple of examples of many reasons why the training has lasted for millennia. For those who can actually do it instead of just talk, it truly made a palpable difference on contact. The mind body training has created giants in budo and we in turn, look at the giants and follow them, instead of the training. Hence….the majority continue to suck and the giants remain, well, the giants.

    In the dawning of our present age which I call “the age of distraction” higher level, mind/body physical training has proven to just be too much for the instant gratification crowd. Why spend countless hours perfecting a tank like body that is all but impossible to throw and with the ability to hit like truck? Go do techniques. Most modern budo people have dismissed or rewritten history to discount this profound training and reflect their stupefyingly ignorant penchant for banging into each other with fists, legs, bodies, and more so sticks, swords and any things else they can get their hands on.

    It hasn’t gone away. It is just starting to come out to the public. Those so inclined are discovering the arts did have secrets all along. It wasn’t B.S. and they do have worth. It is why they have lasted for eons. Hard physical work is required.

    NOT flinching from a battlefield environment or being focused in a fight…was not it. Not that there is anything wrong with that. As I asked before:

    Okay. On that we agree.
    Got anything else?
    Anything at all that it could mean?
    No?
    They did!


    – Dan Harden, March 2015

    Izumo Taishakyo Mission of Hawaii

    New Year’s Day at the Izumo Taishakyo Mission of Hawaii

  • Aikido, qué no sabemos y por qué no lo sabemos …  [Spanish Version]

    Aikido, qué no sabemos y por qué no lo sabemos … [Spanish Version]

    武産合気

    “Takemusu Aiki” de Morihei Ueshiba, editado por Hideo Takahashi

    This is the Spanish translation of the article “Aikido and the Unknown“, provided courtesy of Juantxo Ruiz .

    Qué no sabemos y por qué no lo sabemos …

    Cuando Sam Chin visitó Hawaii el año pasado, nos dijo (estoy parafraseando) que no es tan malo no saberlo, siempre y cuando usted sepa que no lo sabe. Eso me llamó la atención: ¿no es esta la primera parte del problema?

    Cuando comencé en Aikido, había muy poca información disponible en inglés. Lo que estaba disponible era, lo sabemos ahora, altamente desinfectado (nota de Juantxo: vamos, que esa información no era completa y llegaba solo cierta parte): he aquí un buen ejemplo en el sitio web de Aikido Journal, y en el de Meik Skoss en su sitio web Koryu.com. Había muy pocos no japoneses que podían hablar japonés en ese momento, y mucho menos leer las fuentes originales, y la mayoría de los japoneses en el ojo público presentaban una representación más o menos uniforme de la historia y los detalles del Aikido.

    Ahora, por supuesto, hay cientos de libros en inglés sobre el tema del Aikido, entonces, ¿cuál es el problema

    Pues bien, el material en inglés, especialmente el de fuentes originales, es más un resumen que un análisis detallado del material: todavía no se ha realizado una verdadera traducción académica.

    De hecho, los materiales originales producidos por el fundador del Aikido, Morihei Ueshiba, son tan difíciles de leer que incluso la mayoría de los japoneses declinan leerlo en su propia lengua materna. Si lo leen, sin un fondo particular y experiencia, simplemente no hay decodificación. Peor aún, cuando lo leemos en inglés, no solo es a través de la lente del traductor y su comprensión, sino que está completamente fuera del contexto del mundo en el que vivió el Fundador, que es altamente especializado y complejo, y fuera de la contexto de ciertos otros campos especializados que son realmente esenciales para descubrir qué está pasando.

    Dan Harden Sangenkai WorkshopDan Harden en el Taller Sangenkai 2015 en Hawaii

    Lo sé, lo intenté, y no tuvo ningún sentido hasta años después a través de la lente de un mayor conocimiento en ciertas áreas, y por eso estaré eternamente agradecido a la generosidad de Dan Harden, que ha sido tan amable de compartir su entrenamiento con nosotros.

    Eso no es para denigrar lo que se ha hecho hasta ahora en términos de traducciones al inglés, todo tiene que comenzar en alguna parte. John Stevens me dijo que consideraba que su traducción de “Takemusu Aiki”, que sigue siendo la colección más completa del fundador en sus propias palabras, es una especie de “Takemusu Aiki – Lite”, por lo que sería al menos semi -comprensible para una audiencia general.

    Aún así, nos quedamos con una situación en la que la mayoría de los instructores y estudiantes de Aikido, ya sean hablantes nativos de japonés o no, no tienen idea de lo que el Fundador de su arte dijo o escribió de manera detallada.

    Aha! Usted dice que su maestro es un alumno directo del Fundador, un uchi-deshi, y aprendió a los pies del maestro. Desafortunadamente, la mayoría de los uchi-deshi eran niños pequeños sin los antecedentes para comprender el contenido de las conferencias, o la paciencia para soportar el dolor de sentarse y escuchar al Fundador en las frías mañanas invernales, lo decían ellos mismos. Aquí hay algunos ejemplos: estos son de entrevistas en japonés que aún no se publicaron en inglés, pero Stan Pranin tiene varias citas similares en entrevistas en el sitio web de Aikido Journal:

    Nishio and Ueshiba

    Shoji Nishio

    P: ¿Por qué se ha perdido la sustancia (de la técnica de Aikido)?

    A: Nadie escuchó lo que O-Sensei estaba diciendo. Simplemente intentaron recordar la forma externa de la técnica. Aunque O-Sensei dijo “¿De qué sirve copiar mi técnica? Si haces una técnica una vez, ya está terminada “. Debido a que hablaba como un Kami-sama (Dios), pensaron que nada de lo que él decía podía ser entendido, y ni siquiera intentaron prestar atención cuando escuchaban. Mucho más tarde, cuando olvidaron todo, a veces recordarían “Ah, eso es lo que eso significaba”. Es por eso que la práctica de la mayoría de las personas hoy está vacía. No miran otros tipos de Budo. Desde el principio, el valor de un Budo se determina mediante comparaciones con otros Budo.

    Yoshio Kuroiwa, koshi-nage

    Yoshio Kuroiwa

    P: He oído que las conferencias fueron bastante largas.

    A: las odiaba (risas). Hablaba sobre los Kojikki y otras cosas, pero mis piernas se quedaban dormidas y no podía entender nada, solo me hacía llorar. Pensar en esto ahora realmente trae cosas de vuelta.

    Yasuo Kobayashi

    Yasuo Kobayashi

    P: ¿Es cierto que no hubo discusión técnica?

    R: En términos de cómo aplicar técnicas específicas, algunas personas dicen que O-Sensei dijo esto o aquello, pero en lo que a mí respecta, nunca escuché ninguna explicación.

    Nobuyoshi Tamura

    O-Sensei venía al dojo, mostraba algunas técnicas y luego se iba. Si tenia ganas, hablab un rato. Todos éramos jóvenes, por lo que en su mayoría solo queríamos seguir con la práctica. (sobre el contenido de las conferencias) Hablaba sobre los dioses: Izanagi, Izanami, etc. En Sakurazawa-shiki (Macrobiótica) tienen algunas ideas parecidas, así que pensé que estaba hablando de algo relacionado con In y Yo (yin y yang en japonés), pero eso es todo lo que yo entendía.

    Nobuyuki Watanabe Sensei

    Nobuyuki Watanabe

    P: El Fundador solía hablar mucho sobre el Kojikki (“Un registro de asuntos antiguos”), ¿no?

    A: Sí. Una vez, el Fundador trajo un diagrama del cuerpo humano y dio una explicación mientras sostenía una copia del Kojikki en una mano. Mientras señalaba los músculos y los huesos en el diagrama, dio una explicación muy detallada, diciendo cosas como “Esto es Naohi (espíritu correcto)”, y así sucesivamente. Sin embargo, en ese momento solo me preguntaba qué significaba todo eso. Fue solo una vez, así que no puedo recordar los detalles muy bien.

    Yoshimitsu Yamada in his twenties

    Yoshimitsu Yamada

    P: ¿No hubo ninguna explicación de las técnicas?

    A: No, no. Solo discursos difíciles sobre el Kojikki, y luego él te proyectaba y decía “¡Así!”. Sin embargo, a menudo dijo que el Aikido cambia todos los días.

    Así que aquí está la primera parte del problema: la mayoría de las personas ni siquiera saben que no saben. Lo que eso significa es que la mayoría de la gente está haciendo alegremente lo que está haciendo sin tener idea de que hay, o debería haber, algo más; el entrenamiento en el que Morihei Ueshiba desarrollaba todos los días desde el día en que conoció a Sokaku Takeda en la posada Hisada en 1915 hasta que falleció en Tokio en 1969.

    Ahora bien, ¿por qué no lo sabemos?

    Creo que es posible defender firmemente que gran parte de los registros históricos fueron deliberadamente alterados u ocultados. El trabajo de Stan Pranin muestra mucho de eso.

    También es posible prestar atención a un detalle que los estudiantes del Fundador omiten mucho: que lo que obtuvieron lo consiguieron al sentir, al ser proyectados directamente por el Fundador. Una corroboración de esto es que aquellos estudiantes que obtuvieron un poco o mucho de algo del Fundador tuvieron problemas para transmitir esas cosas a sus alumnos. Es fácil ver cómo esto lleva a un colapso en la transmisión, una degradación constante de habilidades donde los estudiantes del Fundador nunca igualan el nivel del Fundador, los estudiantes de los estudiantes nunca alcanzan el nivel de sus maestros y etc.

    Peor que cualquiera de esas cosas es que muchos de nosotros nos hemos sentido cómodos sin saber realmente ni entender de lo que el Fundador estaba hablando. Pídale a la mayoría de los instructores de Aikido una explicación clara de los términos y objetivos expresados en “Takemusu Aiki” y obtendrá … muy poco. Es increíble, para mí, que un instructor en un arte se sienta cómodo al no entender claramente el discurso del Fundador de su arte.

    Por último, por ahora, “¿por qué no nos importa?” – esta es otra cosa que me resulta increíble, pero supongo que es típica de las personas en general y no es un problema específico del Aikido. En general, las personas están contentas de hacer lo que hacen y lo que han estado haciendo, y cuanto más tiempo llevan haciéndolo, menos cuestionan.

    Me sorprende cómo pocas personas, por ejemplo, cuestionan el sistema de clasificación “tradicional” en Aikido, aunque la “tradición” solo comenzó en la década de 1940 y realmente comenzó a ajustarse al intento del gobierno japonés de regular las artes marciales bajo el Dai-Nippon Butokukai.

    Debería ser responsabilidad de todos y cada uno de nosotros en Aikido ser activos en el descubrimiento de lo que no sabemos, y cómo podemos aprender esas cosas, y preocuparnos por el proceso.

    Además, creo que nos corresponde a cada uno de nosotros tener una comprensión clara de lo que el Fundador pensó sobre su arte, cuáles fueron sus objetivos técnicos, filosóficos y espirituales y poder expresar esas cosas de una manera clara y convincente.

    De lo contrario, ¿cómo puedes decir que estás entrenando el arte de Morihei Ueshiba?

    Morihei Ueshiba meditates on top of Haleakala, Maui, 1961Morihei Ueshiba medita sobre Haleakala, Maui, 1961


    Published by: Christopher Li – Honolulu, HI

  • The Phantom Manual: Yamato Ryu Goshinjutsu

    The Phantom Manual: Yamato Ryu Goshinjutsu

    Daiwa Goshinjutsu - Isamu Takeshita

    Women’s self-defense demonstration in the Nikkan Jijishashin (日刊時事写真)
    Fujiko Suzuki (鈴木富治子), founder of Yamato Ryu Goshinjutsu (大和流護身術), left
    Sokaku Takeda and Morihei Ueshiba student Admiral Isamu Takeshita on the right.

    Fujiko Suzuki’s “Phantom Manual” is available through the efforts of Scott Burke, who lives in Fukuoka, but often comes to Hawaii to join the Sangenkai workshops with Dan Harden. Many thanks to Scott, and appreciation for his continuing series of “Aikileaks”, which has previously included

    All 243 pages of this beautifully remastered manual are available for download at the bottom of this essay from Scott Burke, which explains what the “Phantom Manual” is and how it is related to Aikido Founder Morihei Ueshiba and Aikido. Enjoy!

    Yamato Ryu Goshinjutsu - 1937Yamato Ryu Goshinjutsu – 1937, by Fujiko Suzuki

    The Phantom Manual: Yamato Ryu Goshinjutsu

    by Scott Burke

    (And before anyone says it, no, this is not related to any other Daiwa Ryu, Yamato Ryu, or the 1952 Yamato Ryu “Secret Teachings of Self Defense”. “Secret Teachings of Self Defense” does contain numerous drawings copied from Kunigoshi’s Aikijujutsu Densho, so it can be considered a kind of a bootleg. There are also a number of techniques traced from photographs of a 1935 Nakazawa Ryu Goshinjutsu manual as well, I may put together a side by side later. This is a different animal altogether.)

    Yamato Ryu Goshinjutsu Yamato Ryu Goshinjutsu, Page 183

    This Yamato Ryu is very much a product of Ueshiba’s students. His name is even written in the back indicating some level of oversight over the book, possibly as editor. Unless I’m losing my sight there is no mention of Aiki in this book. There is no mention of Heaven, earth, man or anything obvious pointing towards internal training methods. This is a straightforward collection of self-defense techniques for women in early Showa era Japan. As a historical document, it begs questions about who-knew-who in the mid 1930’s, as there are some interesting names attached to this work.

    Takako Kunigoshi and Shigemi YonekawaTakako Kunigoshi and Shigemi Yonekawa in 1935

    Firstly, the illustrations are by Takako Kunigoshi, one of Ueshiba O-Sensei’s Kobukan era students and the illustrator of the famed Budo Renshu aka Aikijujutsu Densho. There are over two hundred illustrations depicting self-defense techniques. These techniques are often shown with the figures in regular Showa era (1930’s) daily wear, with only a few done with the participants wearing something like dogi. The manual’s authorship is credited to Fujiko Suzuki, a third dan Judo and shodan kendo practitioner. Her signature and a stamp with the characters Yamato Ryu Soke, are on the book. Aside from an article in a 1937 housewife helper’s magazine (below) and the 1937 Jijishashin press clipping (above) there is nothing more definitive that I can find on Fujiko Suzuki so far.

    Shufu no Tomo - Yamato Ryu 1Shufu no Tomo - Yamato Ryu 2Shufu no Tomo - Yamato Ryu 3Fujiko Suzuki – “The Secrets of Yamato Ryu Goshinjutsu” (大和流護身術の極意)
    “How to Beat Off and Defeat Hoodlums” (暴漢撃退法)
    Shufu-no-Tomo (主婦乃友) magazine, May 1937

    There are some hints that can be gleaned by looking over interviews with Kunigoshi, namely one conducted by Stan Pranin entitled “The Dainty Lady Who Lit Up Morihei Ueshiba’s Kobukan Dojo”:

    I started in January of 1933, the year that I graduated from school. I was then able to continue up to a little before the air raids began over Tokyo. At one time I had been asked to teach self-defense to female employees of a company located next to the famous Kaminari Mon (Thunder Gate) of the Asakusa Temple in Tokyo’s old town district. (Kunigoshi goes on to discuss teaching the grand daughter of Lafcadio Hearn and her concerns over the air raids over Tokyo. The earliest air raid was the famous Doolittle raid in April 1942. It seems more likely that Kunigoshi was referring to the large-scale air campaign beginning in 1944.)

    Editor: I imagine there weren’t very many women among the deshi in those days.

    There were only two of us! The other woman was two or three years younger than myself. I received New Year’s greeting cards from her up until a few years ago. Even now it seems that her nephew is going to the dojo. But as you said, in those days not many women went to train. Ever so, Ueshiba Sensei never made us feel different by changing things “because you are a woman”.

    Later on in the article is this:

    I started early in 1933 and it was after about a year that we did the book so I suppose it would have been around 1934. These pictures were really difficult to do! I had to do them all twice, you know. Even so I always felt there were some problems left. The second book was never printed after all but… At any rate, this particular version has the first drawings.

    In a later exchange about weapons practice Kunigoshi revealed the following:

    Just about the time that the war started my alma mater was on summer vacation and I spent something like three days teaching something more akin to self-defense than to Aikido. If we could have taken those 50 people who were to learn and divide then into three groups for three teachers it would have been fine but as it was after the first day one of the instructors’ voices gave out and we ended up having to do the course with only two instructors. I had to take care of 30 of them.

    The take away from this, Kunigoshi was actively teaching women’s self-defense classes, there was a second female deshi, and most interestingly, there was a second book, seemingly never published. The first of these take aways is the easiest to accept, Kunigoshi teaching women’s self-defense classes is a given. Next, an unnamed second female deshi. Well, maybe this was Fujiko Suzuki, and maybe not. Access to Kobukan membership records could clear this up quickly, but on that we’ll just have to wait and see what emerges. And lastly, a second book? Is it Yamato Ryu Goshinjutsu? Again, maybe. It’s possible that when Kunigoshi was referring to the second book she was actually referring to Aikido Maki no Ichi, a cleaned up and condensed version of Budo Renshu with some slight variations on technique endings.

    Aikido Maki-no-Ichi Page 52Aikido Maki-no-Ichi Page 52

    Or, she could have been thinking of this book, which actually did see print in 1937, although in obviously smaller circulation than Budo Renshu three years previous. The interview with Stan was several decades after the fact and Kunigoshi could simply have misremembered, I know I would be hard pressed to tell you all the details of the copyright clearance report I did for the MGM film library in 1996, though at the time it held all of my attention. At this point, I really don’t know which theory is correct. Please feel free to provide leads if you have them.

    There are handwritten introductions to the manual from different figures, which give weight to the notion that this book is closely related to Ueshiba and his 1930’s cohorts. Restoring this portion of the manual has been tricky, because it is all handwritten and of a style a bit above my ability to read. In some areas the original mimeograph must have accidentally “double stamped” it leaving the initial text especially blurry. I ran the images through Photoshop removing as much grit as I could while retaining the structure of the text. The signatures and titles are larger and easier to read, and besides some lingering grit the calligraphy for the poetry came through clearly.

    Yamato Ryu Goshinjutsu - Page 3Yamato Ryu Goshinjutsu – Page 3

    The first written portion is a set of poems written with a thick brush and is signed by Munetaka Abe. The Munetaka connection become clear, once again with the help of a Stanley Pranin article titled “Morihei Ueshiba and Gozo Shioda”:

    Mr. Munetaka Abe, Gozo (Shioda)’s middle school headmaster, was struck by the outstanding mental attitude of a young woman, Miss Takako Kunigoshi, who cleaned a nearby shrine every morning. When asked about her exemplary bearing, she gave credit to her aikijutsu teacher and suggested the schoolmaster observe a training session. Thoroughly impressed by what he saw at the nearby Ueshiba Dojo, Mr. Abe urged Gozo’s father to enroll his son there.
    …Shioda immediately decided to join the dojo. Since two guarantors were required to enter, his father and Mr. Abe provided introductions.

    Shioda’s entry to Ueshiba’s dojo is placed at 1932. According to records available online Mr. Munetaka, was principal at the Tokyo Prefecture Number 6 Middle School from 1922 to 1936. The Yamato Ryu manual was published in 1937. Mr. Munetaka obviously stayed in contact with Kunigoshi, so much so that he contributed calligraphy to the project.

    Yasuhiro Konishi in "Karate Nyumon" - 1958Yasuhiro Konishi in “Karate Nyumon” – 1958

    The next entry is a short forward written by Yasuhiro Konishi, who according to Wikipedia was “one of the first karateka to teach karate on mainland Japan. He was instrumental in developing modern karate, as well as a driving force in the art’s acceptance in Japan. He is credited with developing the style known as Shindō jinen-ryū (神道自然流).”

    Additionally, Konishi was an early student (1920’s) of Morihei Ueshiba. In at least two of Konishi’s books (please forgive me, I have the books but they are currently somewhere in “the Pile”, and I cannot recall the titles but you have my word that this is the case) he refers to Ueshiba as the head of the Aioi Ryu, a name which Ueshiba only used for a brief period in the 1920’s. Admiral Takeshita also trained with the Aioi group, and Takeshita is mentioned by Kunigoshi in her interviews with Stan Pranin. Additionally, one of the few pictures available of Fujiko SUzuki is of her being instructed by Admiral Takeshita. I’ll speculate on Takeshita and his influence later.

    (Note:*There are some tantalizing tidbits in the internal power department concerning Konishi from the Japan Karate Do Ryobu Kai:

    At the same time, it is said that Yasuhiro learned from Ueshiba that the art had two kinds of spirit, one expressed externally and one expressed only in mind.

    In addition to this little bit of information, Konishi’s 1957 Karate manual touches on Tenchijin theory and how heaven and earth are expressed through the body.

    Yasuhiro Konishi in Karate Nyumon - 1958Yasuhiro Konishi in “Karate Nyumon” – 1958

    Some more information about Konishi and Ueshiba from Fighting Arts.com:

    In about 1935, Konishi Sensei developed another kata – Seiryu. During this period, Konishi Sensei, Ueshiba Sensei, Mabuni Sensei, and Ohtsuka Sensei were training together almost daily. At this time, the Japanese government was largely controlled by top officers of the Imperial Army. Konishi Sensei was asked by the commanding general of the Japanese Army to develop women’s self-defense techniques. His first step in fulfilling the Army’s request was to ask Mabuni Sensei to help him develop standardized training methods, to help the students remember the techniques.

    Together, they developed a karate kata that incorporated the essence of both their styles. As they worked to finalize the kata, they shared it with Ueshiba Sensei, who approved some sections, but advised certain changes. Ueshiba Sensei strongly felt that the kata should be modified based on the gender of the practitioner, because of the need to protect very different sensitive areas. Also a woman’s training was normally executed from a natural (higher) stance. Another factor which greatly influenced the kata was the female position in Japanese society. At the time, a woman’s life was defined by cultural customs, though both sexes wore kimono and used geta. All these factors were considered in the process of developing the kata.

    So beginning in 1935, plans were afoot to develop a women’s self-defense system, at the behest of a high-ranking military official.

    Continuing from the Japan Karate Do Ryobu Kai:

    Yasuhiro’s incessant eagerness to acquire the secret of various kinds of martial arts brought him the chance to meet Seiko Fujita, the 14th generation of master of “Koga Ninjutsu” and made him to obtain the license from “Nanban Kito-Ryu”.

    Seiko Fujita is the third author featured in the foreword of the Yamato Ryu Goshinjutsu manual. 14th Headmaster or Soke of Kōga-ryū Ninjutsu. aka “The Last Ninja”.

    Fujita Seiko - 1936Hard training – Seiko Fujita pierced with 258 tatami needles
    from “Ninjutsu Hiroku” (忍術秘録) – 1936

    And here we have a ninja master, and an instructor of the Imperial Army’s Nakano School writing a foreword to this women’s self defense manual. Ninjutsu is an area where I am out of my depth, so I’ll gladly bend an ear and see what people in that area have to say.

    Ueshiba Moritaka 1937Ueshiba Moritaka, March 1937
    Yamato Ryu Goshinjutsu – Page 242

    Taken together, all of this data points to the idea of a long lost training manual greatly influenced by the teachings of Ueshiba Moritaka, his signature placed down inside the book on an auspicious day, March 1937. One Japanese rare book dealer called this the “phantom book of Morihei Ueshiba”.

    Yamato Ryu Goshinjutsu Yamato Ryu Goshinjutsu – Page 206

    It is also possible that this is the sum total of multiple actors working together to create a women’s self-defense manual under the aegis of Yamato Ryu. Or it could be the sole product of a lost talent, Fujiko Suzuki, Soke of the Yamato Ryu. This “phantom book” has been sitting on my desk for a little too long, but now that the picture restoration is completed I’ve decided it is best to release it along with my limited findings in the hope that individuals with more information can shed some light on this previously unknown work. I’ve chased this one for years now. I hope you enjoy giving it a look as much as I did pursuing it.

    Yours in the Internal Power/Aiki pursuit,
    Scott

     


    Published by: Christopher Li – Honolulu, HI