Kakuyoshi Yamamoto and Kinbei Sato
Keisetsu Yoshimaru and “Aikido no Ogi”
Keisetsu Yoshimaru (吉丸慶雪) trained under Yukiyoshi Sagawa from 1961 to 1976. After leaving Sagawa Dojo he also trained under Kinbei Sato (佐藤金兵衛), who had trained in Daito-ryu under Kakuyoshi Yamamoto (山本角義), another direct student of Sokaku Takeda.
Kakuyoshi Yamamoto was born on March 3rd, on the 3rd year of the Taisho era (1914). Sokaku Takeda would come into the restaurant where Yamamoto was a cook, and despite an initial impression of Takeda as an evil old man, after several visits they began a conversation. “I’m a Bujutsu-ka” said Takeda, and after talking for a while he said “Come and try!”, so Yamamoto started training under Sokaku Takeda in Showa year 12 (1937).
In Showa year 16 (1941) Yamamoto became an uchi-deshi, and took over much of the care and feeding of Takeda, who was no longer physically able to care for himself. Takeda would apologize “Yamamoto, I’m sorry, I’m sorry”, as he was carried on Yamamoto’s back.
Yamamoto noticed that Takeda sensei’s abdomen was covered with small cuts. This was from a knife that he would carry in his kimono wrapped in a towel. The knife would often slip out of the towel while he was instructing, causing the small cuts – something that most students would never see. Takeda, a veteran of many violent incidents in his youth, was always armed, and would carry this knife with him at all times until his death.
Yamamoto attended Takeda as he passed away on April 25, Showa year 18 (1943), in a ryokan in Aomori. After Takeda’s death Yamamoto took two Kanji from Takeda’s formal name and changed his first name, Tomekichi, to Kakuyoshi, in order to honor his teacher Takeda Sokaku Minamoto no Masayoshi (武田惣角源正義).
Kinbei Sato was born in Taisho year 14 (1925) in Fukushima. Sato studied a large number of arts under a variety of instructors, including the noted Chinese martial artist Wang Shu-jin, and Daito-ryu Aiki-jujutsu with Kakuyoshi Yamamoto.
This is the second part of a two part translation of the summary section of “Aikido no Ogi” (合氣道の奥義 / “The Secrets of Aikido”) – “Aiki no Rentai” (合気之錬体 / “The Conditioned Body of Aiki”), by Keisetsu Yoshimaru . This section contains a summary of the quotes from Yukiyoshi Sagawa relevant to the conditioning of the body necessary for Aiki.
You may want to go back and read part 1 before you continue any further.
Keisetsu Yoshimaru demonstrating Aiki Age
from “The Science of Aikido” (合氣道の科学)
- Top Panel: Oral transmission from Sokaku Takeda – “Open as a morning glory (Asagao / 朝顔) opens.”
- Middle Panel: Ryote-dori Aiki-age – Tori grabs both of Uke’s hands firmly. Uke immediately extends their fingertips.
- Bottom Panel: Rotating your forearms slightly, project penetrating power (Toutetsu-riki / 透徹力) upward to float the shoulders, and float Tori’s center of gravity. If you continue to undermine their balance and throw then this becomes what is called “Tenchi-nage”.
Aiki no Rentai (summary), Part 2
(from “Aikido no Ogi” by Keisetsu Yoshimaru, translation by Christopher Li)
January 9th, 1970
The most important thing in Aiki is the legs. You must build muscle in the necessary areas of the hips and legs through training the legs in “Henko”.
June 29th, 1970
In Age-te, the most important thing is building the body.
December 28th, 1970
When conditioning, if you do not think of what your goals are, what you are going to move and why, and the reasons for doing it, there will be little result.
July 23rd, 1971
The way that I built my body was through push-ups. From the time that I was a teenager I would train 1,500 times a day. Through that it became possible for my body to become a single unit. This is not limited to push-ups, but it is important to continue each physical training method for at least three years. Suburi, for example.
April 5th, 1971
It’s no good if you don’t have thick thighs. Conditioning yourself and becoming strong means that you’re building muscle.
July (no date) 1970
The muscle on your hips and abdomen must be thick and you must begin to move from there. Technique done with slim hips will not be effective. However, thickness from fat is no good.
July 26th 1971
If you only train with pulling then the power of your projection will become weak. The muscles that pull and the muscles that project power are different, and if you just move with one of them then the other becomes weak. When body building (*Translator’s note: western body building/weight lifting) your power of projection becomes weak.
Shiko in Sagawa Dojo, and the standard Sumo Shiko
from Hiden Budo & Bujutsu Magazine – Masaru Takahashi, June 2008
- “Mr. Sakuma, who is demonstrating here, received direct instruction in Shiko from Sagawa Sohan. He drops his body weight to stomp firmly without breaking his posture or stretching out his knees.”
- “In Sumo Shiko importance is also placed upon one’s sense of balance when the leg is raised high, but in the Sagawa style importance is always placed on the stomp of the foot.”
January 10th, 1971
When speaking of conditioning, you must train to build a body that is suitable for Aiki. You must become an independent fortification.
*Note: In addition, Shiko (四股) is extremely important. I was told by Sensei that he had once stomped as many as 1,500 times, but he felt that he could still go on indefinitely.
Oral Transmissions of Yukiyoshi Sagawa Sensei
On the condition of the Aiki no rentai
April 20th, 1964
It moves as a single unit. The arms are full and the shoulders are relaxed.
April 25th, 1964
Even after you have applied a technique the legs must be full.
February 24th, 1965
The body is full. If you move with a full body they will fall.
September 3rd, 1968
The Aiki body. Unity of the forearms, body and legs.
January 8th, 1975
The legs. In acting or dancing you place your weight back and stretch your front knee, but in Aiki you place your weight to the front and bend your front knee.
September 21st, 1973
The body that uses Aiki is used as if there is a string pulled taught. Whatever you do, you continue to move as if the string is stretched tight. You use this while showing yourself as if this were not the case.
*Note: what is being stated here is the control of the extensor muscles.
Oral Transmissions of Yukiyoshi Sagawa Sensei
The goal of conditioning – the Aiki Body (合気の体)
November 21st, 1974
In the end, the goal (of our techniques) is the creation of the Aiki Body, if you can create the Aiki Body then no matter how you move it will become technique, it will become Aiki.
January 12th, 1975
When I move it becomes Aiki. The goal (of our techniques) is the creation of the Aiki Body. It’s not individual techniques. The body itself becomes Aiki.
*Translator’s note: Morihei Ueshiba often said “When I move techniques are born” (動けば技が生まれる).
Notes of Statements by Yukiyoshi Sagawa Sensei
February 8th, 1971
Research is important. It’s not a matter of just saying that something is correct. Even now I continue my research. If you are always researching than you will gradually come to understand.
January 9th, 1970
My former teacher told me “One more (turn)”. You give something twisted in the opposite direction one more turn. When yakuza or con artists came he wouldn’t say not to teach them, he’d get a good hold on them and then make it hurt. A con artist with scars on his face came to Kokubunji, but he quit in two days. Takeda sensei taught “One more, one more”.
January 5th, 1971
When resistance occurs, make a sudden change at the blocked point.
August 25th, 1967
My former teacher was not at all concerned with how much power was put into the form. Especially, perhaps because his body was so small, he was skilled at instilling fear from the beginning.
Yukiyoshi Sagawa practices with the spear
May 12th, 1971
What ever kind of person he was partnered with, Sokaku Takeda sensei would always use all of his power in the technique. That’s also the way that I learned. It’s impossible to apply technique if you’re thinking about letting your partner go. It’s necessary to follow through with the spirit of holding them down to the very end.
August 6th, 1971
My former teacher was an extremely thorough individual. When he was living in my house he worked all night on the tools to make caramel, only stopping when they were completely finished the next morning. That was one story from my father. Once, when I went to visit Sensei, he was watching the training while polishing an unfinished mulberry tray – he stayed like that for three days and two nights, only stopping when it glowed with light, and then he never picked it up again. This type of thoroughness is important.
June 28th, 1965
I became able to do techniques like this in my forties, when I think about it now I was using strength in my thirties. It was the same at first in Daito-ryu, I was just twisting my arms, there wasn’t any throwing with winding in the form.
October 30th, 1973
Without being able to do a number of things first it’s no good to practice technique. You can’t do it without understanding the principle, so just doing it is a waste. If something is not your signature technique then there will be a time when you’re not able to use it. As you become better at your signature techniques you will come to understand the principles.
January 8th, 1967
Warriors of the past would hold their umbrellas in their left hands, the would also carry their Keiko-gi in their left hands. Since that was in order to control the right hand (the dominant hand) of the enemy it was necessary to strengthen the left hand. For that reason, on a sword rack you must place the hilt on the right.
Christopher Li – Honolulu, HI
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11 thoughts on “Aiki no Rentai: The Conditioned Body of Yukiyoshi Sagawa, Part 2”
Thank you Christopher Li sensei for these illuminating extracts from various books on Sagawa sensei’s daito-ryu.
I am totally hooked and now must buy the books (those published in English) to learn more. Thank you for taking the time to translate from the Japanese. I am uncertain but it seems that Sagawa Yukiyoshi Sohan was perhaps superior to O’sensei in his application of Aiki. As a practitioner of Yoshinkan Aikido, I have always wondered why Shioda Kancho was so different from his teacher. Perhaps (I’m sure I’ve read this somewhere) he trained under Sagawa Sohan at some stage. If so it begins to make sense.
Yours in aiki,
Thanks, I’m glad you’re enjoying the articles! I don’t believe that Shioda had any contact with Sagawa (although you never know!), but he certainly had some interaction with Kodo Horikawa – there’s a picture of them together in this article.
I would like to thank you for this nice and informative website! A Yoshinkan aikido practitioner (currently Renshinkai) I also have been a keen reader in the history of Daitoryu in general and Sagawa sensei in particular. In fact I have some substantial Japanese language books library at home dedicated to aikido, Takeda and Sagawa sensei. Your English translation is a great effort indeed. Although we do use mostly the terms kokuryoku, center line, shuchuryoku, etc. and the Yoshinkan style is quite precise in its teaching method I always keep one eye open to any ideas related to aiki. The Japanese teachers of the past sure knew how to make things work ) Keep up the good work!
P.S. When we practice some waza in our little dojo my sensei often jokes that I should make a low broad stance”like in Daitoryu” (he refers to Kondo sensei videos). BTW, my favorite mainline instructor is Shizuo Amano whose precise movements are so dear to my Yoshinkan mind )
Thanks Taras, I’m glad you’re enjoying the blog.
When I was at Kondo’s place Amana was running most of the practice – he was a real training machine!
I’m so delightful to read your blog. I was practicing Ki Aikido many years. Some on your article is connect to the technique, I have learn. I feel excited, when there was new blog you post about aikido is more interesting. Did you have research history of Kochi Tohei Sensei of his teacher Tenpu Nakamura? Is quietly interesting.
By the way, thank you so much! More good comment come.
Thanks Jeffrey, I’m glad that you’re enjoying the blog! More interesting articles to come…
I practice taiji, and the instructions of both Sokaku and Segawa certainly hold plenty of instructional relevance to understanding my own arts principles, thanks for the great article on these interesting facets of martial training.
Thanks Jack, I’m glad that you enjoyed it!
Can you give me some idea of the original Japanese word for “full” as you have it translated it variously in the oral transmission section. There are several references there to a “full body,” “arms are full,” ” legs must be full”, etc. But whatever does it mean? We don’t typically use that construction in English. We might say “extend or bend,” “flex or stretch” your body but what does it mean to have a “full body” anymore than presumably the possibility of its opposite “an empty body.” Any clues? I can only think of a similar notion in yin-yang theory, full and empty referring to the presence or absence of a flow of ‘ki’ for want of a better word. I’d love to hear your thoughts on this.
In most of the instances here he’s using 張る – as in stretched tight, full. It’s fairly common to use this kind of language in some forms of Daito-ryu – and in arts like Taiji (usually when discussing peng jin).
Hope that helps…
Ah… thank you, Chris. Now I am with you. “Stretched tight.” That suddenly makes a whole lot of sense to me. Cheers 🙂