Tag: John Stevens

  • Eternal Principles – Morihei Ueshiba, Lost in Translation

    Eternal Principles – Morihei Ueshiba, Lost in Translation

    “It is my opinion that there is only one published text that faithfully preserves the content and flavor of O-Sensei’s actual speech. The book is titled “Takemusu Aiki,” edited by Hideo Takahashi of the Byakko Shin Kokai.”

    “O-Sensei’s Spiritual Writings: Where did they actually come from?“, by Stanley Pranin

    One day while walking through Ala Moana Beach Park with John Stevens, we fell into a discussion about the upcoming publication of his translation of “Takemusu Aiki” (武産合気), which he had titled “The Heart of Aikido: The Philosophy of Takemusu Aiki“.

    At the time, he himself called the translation, “Takemusu Aiki-lite” – a diluted version of the original text made for consumption by a general audience.

    Of course, he also states something similar in the introduction to the work itself:

    “The contents have been edited, condensed, and rearranged for a smoother flow of the English translation. Almost all of the Shinto/Omoto-kyo terminology and references have been eliminated since that aspect of O’Sensei’s teaching is detailed and discussed in the publications The Secret Teachings of Aikido and The Essence of Aikido.”

    Of course , there’s absolutely nothing wrong with that, in principle. Translations are often edited and abridged for their target audience, in order to make them accessible to that audience.

    However, as I’ve mentioned in other places, no matter how much a translation is edited, abridged, and rearranged…accuracy counts – one must be careful not to alter the original meaning so much that it is unrecognizable.

    This is one of those.

    Some of the issues in translating “Takemusu Aiki”, with some comments the original transcriber Hideo Takahashi (高橋英雄) about his experiences with Morihei Ueshiba, were discussed in “Drinking wine with O-Sensei“.

    There are also more discussions of issues with translation in modern Aikido here:

    “War and Peace – Morihei Ueshiba, Lost in Translation”

    “Morihei Ueshiba, Budo and Kamae: Why we don’t know how to stand up and walk.“

    “Arms and Elbows: Morihei Ueshiba, Lost in Translation“

    “Morihei Ueshiba: Untranslatable Words“

    “Emperor Jimmu’s Eastern Expedition”

    (神武天皇東征之図)

    Utagawa Nobukazu (歌川延一)

    The first chapter of “Takemusu Aiki” begins with a definition of Aikido, presented directly by Morihei Ueshiba.

    This section is particularly important given the fact that there is often so little general agreement over exactly what the definition of Aikido is, and what Morihei Ueshiba’s intentions were.

    The definition begins with a list of 5 “precepts”, sometimes called the Aikido “Goka-jo” (合気道五箇条), somewhat similar to the “Dojo-kun” (道場訓) one sees posted on the wall in some arts.

    For the purposes of this article, we will limit the discussion to the first of these precepts, which appears in “The Heart of Aikido” as:

    “Aikido is the eternal principle of the universe.”

    To be fair, this sentence appears in a similar translation by Sonoko Tanaka on the Aikido Journal website, in “Takemusu Aiki–Lectures of Morihei Ueshiba, Founder of Aikido (1)“:

    “Aikido is the principle of eternal continuation throughout all ages of the one and same system of the Universe.”

    So let’s take a look at the original Japanese:

    合気道は宇宙万世一系の大いなる道なり。

    The above, translated directly, becomes:

    “Aikido is the Great Way of the Universal Bansei Ikkei.”

    The problematic phrase here, which has been eliminated from both translations is “Bansei Ikkei” (万世一系).

    If we look at the literal meaning of the Kanji themselves, then this becomes “a single unbroken line spanning ten thousand generations”, so we can see how this was rephrased in the two translations above.

    The difficulty here is that translating the individual components of a compound word literally often results in a meaning that is very different from the meaning of that word in actual use – butter doesn’t actually fly, but butterflies do, and a nightmare isn’t a horse.

    Which is how we get to the Emperor Jimmu above, in case you were wondering…”Bansei Ikkei” is a common phrase that refers to the “unbroken Imperial line”, reaching back 2,686 years (as of 2026) to the legendary first Emperor of Japan.

    This phrase appears in Article 1 of the pre-war Constitution of the Empire of Japan:

    “The Empire of Japan shall be reigned over and governed by a line of Emperors unbroken for ages eternal.”

    大日本帝国は、万世一系の天皇がこれを統治する。

    This concept of “Bansei Ikkei” formed the basis for the pre-war ideology of the Emperor’s divinity.

    Along with the concept of “Hakko Ichiu” (八紘一宇), it was one of the twin pillars at the absolute core of pre-World War II Japanese ultra-nationalism.

    2600th Anniversary of the Empire, 1940

    Dedication of the Hakko Ichiu Tower

    In 1940 Japan celebrated 2,600 years since the ascention of the Emperor Jimmu to the throne of Japan. At that time the Emperor Jimmu declared:

    “I shall cover the eight directions and make them my abode”

    八紘を掩うて宇と為さん

    The “eight directions” in the quote above were written as “Eight Cords” – “Hakko” (八紘), as in the “Hakko Ichiu” (八紘一宇)Tower above. This was the source for the wartime slogan “Eight Cords under one roof” – meaning the divine right of the Emperor to unite the world under the Japanese Empire.

    Konoe Fumimaro reads an Imperial Rescript

    The Imperial throne in the background

    This phrase “Hakko Ichiu” was popularized in 1940 by Prime Minister Konoe Fumimaro, a student and patron of Morihei Ueshiba, and a member of the board of directors of Morihei Ueshiba’s Kobukai organization (the predecessor to the post-war Aikikai).

    This phrase was also alluded to by Morihei Ueshiba in this post-war Doka (“Poem of the Way”):

    惟神光と熱の合気道, 世をば清めん八紘の玉

    Aikido, The Light and Heat of Kannagara, Jewel of the Eight Cords, Purifies the World.

    In other words , Aikido is represented here as a process through which one works to purify the world – a purified world meaning one that is united under the Japanese empire.

    Remember that this Doka is from after the war.

    Morihei Ueshiba would state this again later on in “Takemusu Aiki”:

    世界は一つであります。国の大小を問わず日本の国につどい寄ってこなければならなくなっているのです。それには条理がキチンと整わなければいけません。人類は地球の一番中心の中津国を忘れています。最初の中心の中心の国は日本なのです。

    これは皇祖皇宗のご遺訓に出ていることでみなさんもよく知っていることです。

    The world is one. Regardless of size, all nations must inevitably gather around Japan. For this to happen a logical order must be firmly established. Humanity has forgotten the Middle Land (Nakatsukuni), the very center of the Earth. The original country at the ultimate center of centers is Japan.

    ​This appears in the testaments of our Imperial Ancestors, as you all know well.

    Once again, please note that the above passage is from a lecture given in the late 1950’s or early 1960’s, and here we see the consistency and continuity of Morihei Ueshiba’s basic ideology from the pre-war period to the post-war period.

    Morihei Ueshiba’s “Aiki-jujutsu” seal from the 1930’s above features the kanji for “imperial” (皇) at the center – jist as his dojo was the “Imperial Hall of the Martial Arts” (皇武館), his association was the “Imperial Martial Arts Association” (皇武会), and as he was a follower of “Kodo Omoto” (皇道大本) – the “Imperial Way” Omoto.

    After the war, in the 1960’s, he declared that same ideal – “Aikido is the Great Way of the Universal Bansei Ikkei.”.

    Morihei Ueshiba often spoke, both before and after the war, of Aikido as a method for creating “paradise on Earth”.

    この合気をもって地上天国を作ろう

    Let us use this Aiki to create a paradise on Earth

    The key issue here is really what Morihei Ueshiba’s vision of this “paradise” would look like, and with his declaration of “Bansei Ikkei” this becomes clear – a right wing ultra-nationalist utopia in which the world lives in peace…under the aegis of the Japanese empire and the Japanese Imperial family.

    Not something that most people today would advocate for, I think that it’s fair to say, and quite different from what most people conceive of as the ideals and goals of modern Aikido.

    Now, at the same time that Morihei Ueshiba was discussing “Bansei Ikkei”, after the war, it was thought to be such an important phrase in pre-war ultra-nationalist ideology that it was removed from post-war textbooks, first by blacking out with ink in existing textbooks during the occupation (墨塗り), and then by complete removal from revised textbooks produced after the occupation, where the Imperial origin legend came treated as myth rather than fact.

    Controversies over textbook content, for what it’s worth, continue to this day, with major political groups such as the Nippon Kaigi (日本会議), a major right wing nationalist political action group advocating for revisionist historical narratives.

    Eriko Yamatani – Aikikai Aikido Shimbun

    June 10th, 2026

    Japanese politician Eriko Yamatani is affiliated with the Nippon Kaigi, and has been involved in a number of controversies, including one revolving around connections to an anti-Korean hate group, the Zaitokukai, whose members have labelled ethnic Korean residents of Japan “cockroaches” and called for them to be killed, and opposition to LGBT and gender rights.

    More recently , she has attempted to assert the pre-war position that “Bansei Ikkei” is a matter of historical fact, rather than myth:

    And on July 15 in an Upper House special committee deliberating the same measure, the LDP’s Eriko Yamatani said, “The imperial line unique to our nation has continued unbroken for more than 2,600 years. The tradition of the imperial family that has been protected by our predecessors is weighty and beautiful, so those of us living in the present must be humble.”

    The Asahi Shimbun, July 17th 2026

    For many years she has also been, and is presently, a member of the Aikikai’s board of directors.

    That is not to say that the Aikikai, at present, shares these political views.

    However, given the fact of Morihei Ueshiba’s right wing ultra-nationalist ideology and activity in the past, I’ll simply state the opinion that it may be in the best interest of all involved to elminate all political involvement, from right to left, from conservative to liberal, as really having no connection to the mission of today’s Aikikai.

    Some of these issues have been discussed in “Morihei Ueshiba, the Black Dragon Society & Pre-War Japan – What Aikido’s History Doesn’t Tell You“, where you may find a more general overall picture.

    Morihei Ueshiba, the Black Dragon Society & Pre-War Japan - What Aikido's History Doesn't Tell You

  • War and Peace – Morihei Ueshiba, Lost in Translation

    War and Peace – Morihei Ueshiba, Lost in Translation

    “The Art of War” vs “The Art of Peace“

    Translation can be a tricky and often thankless task.

    That gets more problematic these days with the rise of AI translation methods.

    I’ll note here that AI translation is often very, very, good, but on niche topics, like Aikido, it’s often very, very bad, and that’s largely due to small mis-translations that are difficult to catch unless you have the ability to read and understand the original text. In other words, AI can accelerate translation, but not replace it (yet).

    For example, I’ve seen both Gemini Pro and ChatGpt mistranslate things as simple as Morihei Ueshiba’s name. Another AI translation text translated the phrase “The Art of Peace” in English as “The Technique of Peace” in Japanese – “technique” in the sense of something like “shiho-nage”. Obviously, this leads to the possibility of misunderstanding to a reader who does not (or can not) compare the translation to the original text.

    Still, critical evaluation of translated text, and alternative translations, are an important part of examining the historical record.

    I’ve discussed some of the issues surrounding translation in modern Aikido here:

    “Morihei Ueshiba, Budo and Kamae: Why we don’t know how to stand up and walk.“

    “Arms and Elbows: Morihei Ueshiba, Lost in Translation“

    “Morihei Ueshiba: Untranslatable Words“

    “Drinking wine with O-Sensei“

    I would also like to direct your attention to this essay from Aikido Journal founder and editor Stanley Pranin, “O-Sensei’s Spiritual Writings: Where did they really come from?“, which highlights some additional issues with source materials:

    “Recently, due to the publication of a series of books whose authorship has been attributed to Morihei Ueshiba, founder of aikido, I have felt compelled to weigh in on the subject of what O-Sensei actually did write during his career as a martial artist. The answer is in brief, “almost nothing.”

    The published books containing quotations attributed to Morihei Ueshiba available in various Western languages are based on “sanitized” Japanese versions of Morihei’s words.”

    Translations are also influenced by the style choices made by the translators themselves (this is discussed, a bit, in the linked essays above).

    Interpretive translations, often referred to as “poetic” translations, are usually more readable and attractive to the average reader, and can sometimes give greater insight into the nuance of the original text…and sometimes not, the drawback being that one is at the mercy of the translator’s interpretation and bias.

    Literal translation, on the other hand, can be much more accurate, depending upon the type of source material, the drawback being that it can miss some or all of the nuance of more abstract material.

    The best translations attempt to reach some balanced middle ground appropriate to the source material.

    However, whatever the style choices that are made by the translator, accuracy and faithful representation of the source material counts.

    This is one of those (to borrow a catchphrase).

    Here is a popular quotation from “The Art of Peace”, translated by John Stevens:

    “The Art of Peace begins with you. Work on yourself and your appointed task in the Art of Peace.”

    One of the difficulties with the texts translated by John Stevens is that he virtually never cited or included his original sources, making it extremely difficult (often impossible) to determine what was actually said by Morihei Ueshiba. Not to mention that the source materials themselves were sometimes comprised:

    “What is problematic for Prof. Stevens is that he has no way of verifying the authenticity of the Japanese text that he is using as a source.”

    “Beautiful! Inspiring!… But Did O-Sensei Really Say It?” – Aikido Journal

    In this case, the original text appears to have been drawn from “Aiki Shinzui” (合気神髄).

    “Aiki Shinzui” was largely assembled from lectures that Morihei Ueshiba gave after the war and then compiled by Sadateru Arikawa and Masatake Fujita for the Aikikai’s “Aikido Shimbun” (合気道新聞).

    This work was translated into English by John Stevens and published as “The Secret Teachings of Aikido“, but… please keep in mind the caveats given here.

    As a caution (and as Stanley Pranin noted above), those lectures were edited for content by the Aikikai, with much of the more problematic content eliminated. For example, the ultra-nationalist sentiments that Morihei Ueshiba continued to express after the war, and much of the more difficult esoteric language through which Morihei Ueshiba made his explanations:

    “Basically, my view is this. Almost without exception, quotes of O-Sensei published in Japanese were heavily edited by the staff of the Aikikai Hombu Dojo prior to publication. Although I would not go so far as to say that these edited writings violate the spirit of O-Sensei’s thinking, they alter considerably the vocabulary and forms of expression employed by Morihei, and strip out much of the Shinto-based religious context he would customarily use in his speech.”

    “Hey Stan! Did O-Sensei really say this?” by Stanley Pranin

    Additionally, there were numerous difficulties with the transcriptions themselves, leading to numerous errors – a Japanese researcher actually made a long (but still partial) list of some of those errors some years ago.

    Masatake Fujita and Morihei Ueshiba

    Masatake Fujita himself discussed the difficulties that he experienced in “Interview with Aikido Shihan Masatake Fujita, Part 2“:

    Q: I’ve heard that you were the one running the tape recorder at those sessions…

    A: That’s right. At that time the machine was still an open reel tape recorder about the size of a mikan (orange) crate. But when I held the microphone in front of his eyes he’d strike a pose and become formal. (laughing) So in order to record the natural voice of O-Sensei, as much as possible I tried to hold the microphone where he couldn’t see it and record him in secret. Then we would write it down and edit it for the Aikido Shimbun. Arikawa Shihan had a passion for that, and I would assist him, so I did the editing for both the Aikido Shimbun and “Aiki Shinzui” (合氣神髄 / published in Japanese in 2002).

    Q: The words of the Founder are really difficult to understand, were you able to understand them?

    A: No, no, I didn’t understand any of that stuff! (laughing) I really had to study hard. Also, when I was editing O-Sensei’s words it was especially difficult to determine which were the correct Kanji to use.

    Q: It must have been very difficult to just listen to the lectures and then put it all together afterwards!

    A: It was very difficult, so it took many years. It was especially difficult to transcribe the words from tape. It could lead you to a nervous breakdown! (laughing) I worked on it for a long time.

    So, moving on – finally…

    Here is the original Japanese quotation, from “Aiki Shinzui” (合気神髄):

    合気はまず己れから始まる。己れを磨き、己れに与えられた天命を果たせ。

    And here is a direct translation of the Japanese from “Aiki Shinzui” above:

    “Aiki begins with oneself. Polish yourself and fulfill the heavenly mission that has been given to you.”

    As you may have noticed – “The Art of Peace” does not exist in the original Japanese, as it does not appear in in any of the original Japanese quotations from which these quotations were drawn in the publication “The Art of Peace”, since… it’s not really a phrase that Morihei Ueshiba even used, and that’s something that’s commonly misunderstood.

    What John Stevens did was to replace the words “Aiki” and “Aikido” where they appeared in the original Japanese text with the phrase “The Art of Peace”, significantly altering the nuance and context of the quotations.

    Actually, this was done at the request of the publisher, for marketing purposes – hoping to profit off of the enormous commercial success of “The Art of War” by producing a “companion volume”.

    It worked fairly well commercially, but at the cost of altering and rearranging the original meanings and, particularly in the case of the “The Art of Peace” which consists entirely of out of context quotations, eliminating the context of the statements that would actually give them meaning.

    I’ll end this with another comment from Stanley Pranin:

    “A serious attempt to faithfully transcribe, edit and annotate the corpus of recordings of O-Sensei’s speeches and lectures has yet to be undertaken. Readers of the currently available materials should bear this in mind when researching the philosophy of the aikido founder.”

    “O-Sensei’s Spiritual Writings: Where did they really come from?” by Stanley Pranin

    Edgar Allan Poe famously stated “Believe none of what you hear and believe half of what you see.” – and that caution might well be applied to the translated word as well.

  • Arms and Elbows: Morihei Ueshiba, Lost in Translation

    Arms and Elbows: Morihei Ueshiba, Lost in Translation

    Morihei Ueshiba and Gozo Shioda, from Budo 1938

    Morihei Ueshiba and Gozo Shioda

    Budo – Moritaka Ueshiba’s 1938 Technical Manual

    In 1938, Morihei (Moritaka) Ueshiba published the technical manual “Budo” – Yoshinkan Aikido founder Gozo Shioda (above, from the manual itself) was one of the students featured as partners in the photographs.

    Prince Kaya Tsunenori

    Budo was originally published as a simplified military manual for Prince Kaya Tsunenori, the superintendent of the Toyama Military School where Morihei Ueshiba was an instructor (the original Japanese text is available here). In many ways it was a simplified version of the more complex Aiki-jujutsu Densho, published earlier and then republished after the war and used as an instructional manual as Aikido Maki-no-Ichi.

    Some of the translation issues with the “Budo” manual were discussed previously in Morihei Ueshiba, Budo and Kamae.

    Here is another example from the same manual – item number 49.

    In “Budo: Teachings of the Founder of Aikido“, translated by John Stevens, this item appears as:

    There is no photo (either in the original Japanese text or the English translation), and no explanation, but it was felt that “Developing Arm Power” was important enough to mention.

    This is not uncommon for “secret” items, whose content would be imparted through “Kuden” (口伝), oral transmission.

    In many traditions the oral transmission would be limited to a select few students, or possibly only a single student – the explanation that would “unlock” the physical training.

    This particular item is included in a section on “finishing exercises” (終末動作) that includes Tai-no-Henka (體の変化), and “Ki Power Development” (気力の養成), the exercise otherwise known today as seated Kokyu-ho (座技呼吸法), both foundational conditioning exercises that Morihei Ueshiba typically included in every training session.

    Coincidentally (or perhaps not), Morihei Ueshiba often stated, as repeated by Morihiro Saito, that a student could learn all the essential principles of Aikido through just these three core exercises, Tai-no-henka, Morotedori-kokyuho, and Suwariwaza-kokyuho.

    So let’s look at the original Japanese entry for this item:

    Budo Item 49 - Original Japanese

    Most of the text is the same.

    This entry is noted as item 49, to be “imparted orally” (口授ス).

    The title of the section is 臂力の養成 – “Hiriki no Yosei” – so it’s here that we run into some differences from the original English translation of “Arm Power Development” by John Stevens.

    The Kanji 臂, somewhat archaic, is sometimes translated as “arm”, but is most commonly noted as an obsolete form of 肘 – “hiji”, or “elbow”.

    Here it is in the digital edition of the Daijirin (大辞林) Japanese dictionary – “the outer side of the joint connecting the upper arm and the forearm”, with the Kanji from Budo (臂) noted as an obsolete form of the modern usage:

    So now – rather than “Arm Power Development”, we have “Elbow Power Development” – a term that most Yoshinkan Aikido practitioners will instantly recognize as one of the basic conditioning exercises emphasized by Gozo Shioda, and as previously noted – Gozo Shioda actually appears in Budo a number of times.

    Gozo Shioda and his son Yasuhisa actually note this usage, in both English and Japanese:

    Total Aikido: The Master Course

    Gozo Shioda and Yasuhisa Shioda

    “Total Aikido” notes above, that in Aikido “Hiriki” (臂力) means:

    “breath power (“Kokyu-ryoku”) as expressed through the elbow”

    Of course, this is a significantly different nuance from “arm power”.

    The text above also notes that this is “the basic form that we use to teach the body to develop breath power”, and as Gozo Shioda used to note – Morihei Ueshiba would constantly repeat “Kokyu-ryoku, Kokyu-ryoku, Kokyu-ryoku” when instructing.

    The importance of this conditioning exercise is also emphsized in another version of the Budo manual, “Takemusu Aikido Special Edition BUDO:Commentary on the 1938 Training Manual of Morihei Ueshiba“, translated by Sonoko Tanaka and Stanley Pranin:

    This time Hiriki no Yosei is demonstrated as the fundamental training and conditioning exercise Morotedori Kokyuho, as taught by Morihei Ueshiba after the war in Iwama and demonstrated here by Morihiro Saito and his son Hitohira.

    Another way to consider this is to reflect upon these statements by Morihei Ueshiba’s teacher Sokaku Takeda:

    「合気は常に前に出る…合気は肘から先に」

    “Aiki always moves forward…straight forward from the elbow.”

    Sokaku Takeda, prior to establishing Daito-ryu Aiki-jujutsu, was well known as a swordsman, a practitioner of Ono-ha Itto-ryu:

    “The sword style incorporated into Daito-ryu is Ono-ha Itto-ryu”

    Interview with Tokimune Takeda, Aikido Journal

    A core principle of Itto-ryu is sharin zenten, the “entering wheel” (車輪前転):

    Principles of Budo: Ono-ha Ittō-ryū

    Budo Japan

    “If you were to describe in words what happens when you do Kiriotoshi, it probably goes something like: “When the opponent cuts down, deflect his blade away with the side of yours and cut into him.” Because the direction your sword cuts is the same as your opponent’s, you would think this could not possibly happen in an actual situation, except by accident. This is because you think of the cut as a line or a point, or consider the probability of this happening. But the true nature of this phenomena of Kiriotoshi is found in the forward rotation of a wheel. You will be able to do uwadachi instantly by rotating everything forward like it was a tire moving forward around its axle and meeting your opponent’s sword as if you were enveloping his downward cut. This is not a mere contest of speed, nor an issue of the trajectory of his sword, nor is it a form of counterattack. This rotation is a principle related to all of the other techniques. For example, techniques one through five look completely different, but they are all Kiriotoshi because they put into practice the principle of sharin zenten that is common to all.”

    It may be worth considering the role of the elbow, when connected and empowered through Kokyu-ryoku, in creating the entering wheel discussed above, and its relationship to Aiki.

    In Kenji Tomiki’s “Introduction to Goshinjutsu” (護身術入門), published in 1974, Kenji Tomiki discusses the “Principle of the Lever”:

    In the diagram above Kenji Tomiki gives a mechanical description of Yin/Yang (In/Yo) opposing forces around a central non-moving neutral pivot.

    “Aiki is an absolute neutral, therefore the neutral possesses In and Yo”

    Tokimune Takeda – Aiki Kuden and Hiden

    Or, as is commonly stated in the Taiji Classics:

    “Taiji originates from Wuji; it is the pivot of motion and stillness, and the mother of Yin and Yang.”

    Kenji Tomiki approximates this classical body usage in modern mechanics as a force couple. According to Wikipedia this is defined:

    A couple is a pair of forces, equal in magnitude, oppositely directed, and displaced by perpendicular distance or moment.

    Further:

    Its effect is to create rotation without translation, or more generally without any acceleration of the centre of mass.

    I will leave the practical application of this in the body, a much longer discussion that benefits significantly from hands on instruction, as an exercise for the reader.

    Arms or elbows…your choice!